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Cover of "Le Grelot", number 1054, Satirique en Couleurs
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Cover of "Le Grelot", number 1054, Satirique en Couleurs
ICA4922685 Cover of " Le Grelot", number 1054, Satirique en Couleurs, 1891_6_21: Rosa-Josepha - Anticlericalism, Music, Modernite, Religion, President of the Republique, Trumpet - Separation from the Church and the State - Marianne, Carnot Sadi (1837-1894), Eveques - Illustration by Edouard Guillaumin (Pepin) (1842-Guillaumin (1842-Pepin) 1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " Le Grelot", number 1054, Satirique en Couleurs, 1891_6_21: Rosa-Josepha - Anticlericalism, Music, Modernite, Religion, President of the Republique, Trumpet - Separation from the Church and the State - Marianne, Carnot Sadi (1837-1894), Eveques - Illustration by Edouard Guillaumin (Pepin) (1842-Guillaumin (1842-Pepin) 1910)); Photo eCaricadoc; French, out of copyright
Media ID 23718548
© Caricadoc / Bridgeman Images
Carnival Circus Disguising Eveque Malformation Separation Siamese Trumpet A Journal Caricadoc Journalism
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EDITORS COMMENTS
The print titled "Cover of 'Le Grelot', number 1054, Satirique en Couleurs" captures a vibrant and satirical illustration by Edouard Guillaumin (Pepin) from the late 19th century. The artwork depicts a scene filled with symbolism and political commentary. At the center of the image stands Marianne, representing France, holding a trumpet symbolizing modernity and progress. Surrounding her are various figures including Rosa-Josepha, an embodiment of anticlericalism, and President Carnot Sadi. The illustration addresses the theme of separation between church and state in France during that time period. It portrays bishops disguised as circus performers while playing musical instruments, highlighting their role in religious order but also suggesting their involvement in political affairs. Guillaumin's intricate engraving showcases his skill as an artist while conveying complex ideas through visual storytelling. The use of bold colors adds to the overall impact of the artwork. This print serves as a historical document capturing not only artistic excellence but also providing insight into societal attitudes towards religion and politics in 19th-century France. It is a testament to the power of satire as a means to critique social norms and challenge authority. Overall, this image offers viewers an opportunity to delve into French history while appreciating Guillaumin's talent for creating thought-provoking illustrations.
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