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Auto da Fe in Valladolid, from Le Costume Ancien et Moderne by Jules Ferrario
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Auto da Fe in Valladolid, from Le Costume Ancien et Moderne by Jules Ferrario
CHT307466 Auto da Fe in Valladolid, from Le Costume Ancien et Moderne by Jules Ferrario, engraved by Bramati and Raineri, published in Milan, c.1820 (coloured engraving) by Italian School, (19th century); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; Italian, out of copyright
Media ID 23377640
© Archives Charmet / Bridgeman Images
Auto Da Fe Heresy Inquisition Main Square Persecution Religious Intolerance Trial
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EDITORS COMMENTS
This print captures the somber atmosphere of an "Auto da Fe" in Valladolid, Spain, during the 19th century. The scene depicts a moment of religious intolerance and persecution as heretics face trial by the Spanish Catholic clergy. In this engraving from Jules Ferrario's renowned work, "Le Costume Ancien et Moderne" we witness a procession taking place in the main square. The air is heavy with tension as those accused of heresy are brought forward to face judgment for their beliefs. The image evokes a sense of fear and despair, highlighting the power dynamics at play during this dark period in history. The Catholic Church's authority looms large over those who dare to question or deviate from its teachings. The Auto da Fe was a public spectacle intended to showcase both faith and punishment. It served as a stark reminder that deviation from Catholicism would not be tolerated within Spanish society. Through Bramati and Raineri's skilled engravings, we can almost hear the murmurs of prayers mingling with cries for mercy. This powerful visual representation sheds light on an era marked by religious fervor and fanaticism. As we contemplate this historical artifact today, it serves as a poignant reminder of the importance of religious freedom and tolerance in our modern world.
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