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Portrait of Don Juan Antonio Cuervo, 1819 (oil on canvas)
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Portrait of Don Juan Antonio Cuervo, 1819 (oil on canvas)
491276 Portrait of Don Juan Antonio Cuervo, 1819 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 120x87 cm; Cleveland Museum of Art, OH, USA; (add.info.: Director of the Royal Academy of San Fernando, the official academy for artists and architects in Spain, Cuervo appears with his plan for the recent renovation of Madrids Church of Santiago. The jacket with red and gold brocade identifies him as a member of the academy.); Mr. and Mrs. William H. Marlatt Fund; Spanish, out of copyright
Media ID 23253640
© Mr. and Mrs. William H. Marlatt Fund / Bridgeman Images
Compass Compasses Plans Uniformed
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EDITORS COMMENTS
This portrait print showcases the esteemed Don Juan Antonio Cuervo, painted by the renowned artist Francisco Jose de Goya y Lucientes in 1819. The oil on canvas masterpiece measures 120x87 cm and is currently housed at the Cleveland Museum of Art in Ohio, USA. Don Juan Antonio Cuervo was not only a prominent figure but also held the prestigious position of Director of the Royal Academy of San Fernando, Spain's official academy for artists and architects. In this painting, he is depicted seated with an air of authority while holding plans for the recent renovation of Madrid's Church of Santiago. His jacket adorned with red and gold brocade signifies his membership in the academy. The attention to detail is remarkable as Goya captures every nuance, from Cuervo's architectural compasses resting on his desk to his dignified expression that exudes confidence and expertise. This portrait serves as a testament to both Cuervo's influence within Spanish architecture and Goya's exceptional talent as an artist. Through this print, viewers can appreciate not only the historical significance but also gain insight into fashion trends during that era. Don Juan Antonio Cuervo stands tall as a symbol of knowledge and accomplishment, leaving us captivated by his presence even centuries later.
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