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Of newe fassions and disgised Garmentes, illustration from Alexander Barclay s
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Of newe fassions and disgised Garmentes, illustration from Alexander Barclay s
XJF483411 Of newe fassions and disgised Garmentes, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School, (15th century) (after); Private Collection; (add.info.: Alexander Barclay (c.1476-1552) Scottish born English poet, translated Sebastian Brandts (1457-1521) Das Narrenschiff, as The Ship of Fools in 1509. Image is a facsimile of the original German woodcut of 1497, where a fool is seen admiring himself in a mirrror held up by a dandy.); German, out of copyright
Media ID 12912876
© www.bridgemanart.com
1497 1509 Admiration Admiring Alexander Appearance Barclay Brandt Brandts Dandy Disguised Doublet Fool Fools Garments Hose Mirror Narrenschiff Sebastian Superficial Translation Vain Vanity Vice Vices Woodcut
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This print showcases an illustration from Alexander Barclay's English translation of "The Ship of Fools" originally published in 1509. The image is a facsimile of the original German woodcut from 1497, depicting a scene filled with new fashions and disguised garments. In this satirical artwork, we witness a fool gazing at his own reflection in a mirror held up by a dandy. The intricate details of the costumes and fashion choices depicted in the illustration are truly remarkable. The doublet and hose worn by the characters exemplify the superficiality and vanity prevalent during the 16th century. This portrayal serves as a powerful critique on society's obsession with appearance and admiration. Through this thought-provoking piece, Barclay invites us to reflect upon our own vices and urges us to question whether our pursuit of fashion is driven by genuine self-expression or merely an empty desire for external validation. As we delve into this fascinating visual narrative, it becomes clear that appearances can be deceiving. The fool's fascination with himself highlights how easily we can become consumed by our own image, neglecting more meaningful aspects of life. This print not only captures historical significance but also prompts us to contemplate timeless themes such as identity, sin, and societal expectations. It serves as both an exquisite work of art and a reminder to look beyond surface-level impressions in order to find true substance within ourselves.
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