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Studies for the Lantern in The Light of the World
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Studies for the Lantern in The Light of the World
5053761 Studies for the Lantern in The Light of the World, 1851-52 ( pen & brown ink over graphite on discoloured off-white paper) by Hunt, William Holman (1827-1910); 24.5x34.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Presented by Mrs Warwick Tompkin, 1970; English, out of copyright
Media ID 23258968
© Ashmolean Museum Presented by Mrs Warwick Tompkin, 1970 / Bridgeman Images
Gothic Revival Gothick Lamp Lantern Neo Gothic Prop Spirituality Studies Victorian Gothic Light Of The World Pre Raphaelite
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EDITORS COMMENTS
This print showcases the intricate studies for the lantern in William Holman Hunt's iconic painting, "The Light of the World". Created between 1851 and 1852, these sketches offer a glimpse into the artist's meticulous process. Using pen and brown ink over graphite on discolored off-white paper, Hunt masterfully captures the essence of spirituality and faith. The neo-Gothic influence is evident in this piece, as it exudes an ethereal aura that resonates with viewers. The lantern itself becomes a symbol of enlightenment and guidance, illuminating the path towards spiritual awakening. Through his detailed drawings, Hunt explores various designs for this crucial prop within his composition. As one of the prominent figures associated with the Pre-Raphaelite movement, Hunt's work often delves into religious themes and Victorian aesthetics. This particular study exemplifies his commitment to capturing every minute detail with precision. Displayed at Ashmolean Museum in Oxford, UK, this artwork was generously presented by Mrs Warwick Tompkin in 1970. Its presence within their collection adds depth to their exploration of Victorian Gothic art movements. Bridgeman Images has skillfully captured this remarkable piece through photography without commercial intentions. By sharing this print with Fine Art Finder users worldwide, they allow art enthusiasts to appreciate not only Hunt's talent but also delve into deeper discussions surrounding religion, design elements from different eras like Gothic Revival or Neo-Gothic styles while contemplating spirituality through visual representation.
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