Fraud Blocker Skip to main content

Home > Fine Art Finder > Afterlife, Folklore, Supernatural &

Afterlife, Folklore, Supernatural & Witchcraft Collection (page 17)

815 items

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: The Last Judgement (Altarpiece): Detail of the Dagger

The Last Judgement (Altarpiece): Detail of the Dagger
BAL41089 The Last Judgement (Altarpiece): Detail of the Dagger by Bosch, Hieronymus (c.1450-1516); Gemaldegalerie der Bildenden Kunste, Vienna, Austria; Netherlandish, out of copyright

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: The Last Judgement (altarpiece) (detail of Musical Instruments)

The Last Judgement (altarpiece) (detail of Musical Instruments)
BAL41087 The Last Judgement (altarpiece) (detail of Musical Instruments) by Bosch, Hieronymus (c.1450-1516); Gemaldegalerie der Bildenden Kunste, Vienna, Austria; Netherlandish, out of copyright

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: The Last Judgement (Altarpiece): Interior of Left Wing

The Last Judgement (Altarpiece): Interior of Left Wing
BAL41083 The Last Judgement (Altarpiece): Interior of Left Wing by Bosch, Hieronymus (c.1450-1516); Gemaldegalerie der Bildenden Kunste, Vienna, Austria; Netherlandish, out of copyright

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: St. James the Greater, Exterior of Left Wing of Last Judgement Altarpiece (oil on panel)

St. James the Greater, Exterior of Left Wing of Last Judgement Altarpiece (oil on panel)
BAL41081 St. James the Greater, Exterior of Left Wing of Last Judgement Altarpiece (oil on panel) by Bosch, Hieronymus (c.1450-1516); Gemaldegalerie der Bildenden Kunste, Vienna

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Legend of the priest and people changed into were-wolves, from A Short History

Legend of the priest and people changed into were-wolves, from A Short History
KW392500 Legend of the priest and people changed into were-wolves, from A Short History of the English People by J. R. Green, published 1893 (litho) by English School

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: A Witchs Tavern

A Witchs Tavern
BAL35793 A Witchs Tavern by Saftleven, Cornelis (1607-81); Rafael Valls Gallery, London, UK; Dutch, out of copyright

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: The Gates of Hades (oil on canvas)

The Gates of Hades (oil on canvas)
BAL35661 The Gates of Hades (oil on canvas) by Ryckaert, David III (1612-61) (attr. to); Johnny van Haeften Gallery, London

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Witches (pen & ink on paper) (b / w photo)

Witches (pen & ink on paper) (b / w photo)
XIR345968 Witches (pen & ink on paper) (b/w photo) by Bosch, Hieronymus (c.1450-1516); Louvre (Cabinet de dessins), Paris

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: The Fall of the Rebel Angels, 1562 (oil on panel) (detail of 74037)

The Fall of the Rebel Angels, 1562 (oil on panel) (detail of 74037)
XIR331636 The Fall of the Rebel Angels, 1562 (oil on panel) (detail of 74037) by Bruegel, Pieter the Elder (c.1525-69); 117x162 cm; Musees Royaux des Beaux-Arts de Belgique, Brussels

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Death, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts

Death, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts
KW320814 Death, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts, by Richard Fisher, published 1879 (litho) by Italian School

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: The Last Judgement, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts

The Last Judgement, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts
KW320807 The Last Judgement, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts, by Richard Fisher, published 1879 (litho) by French School

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: The Narrow Gate to Heaven and the Wide Gate to Hell (oil on panel)

The Narrow Gate to Heaven and the Wide Gate to Hell (oil on panel)
BAL31925 The Narrow Gate to Heaven and the Wide Gate to Hell (oil on panel) by Bie, Cornelis de (1621-54); Johnny van Haeften Gallery, London, UK; Dutch, out of copyright

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: The Resurrection of the Dead and the Weighing of Souls in the Balance at the Last Judgement

The Resurrection of the Dead and the Weighing of Souls in the Balance at the Last Judgement
KW315639 The Resurrection of the Dead and the Weighing of Souls in the Balance at the Last Judgement, from Science and Literature in the Middle Ages by Paul Lacroix (1806-84)

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Charon, the Ferryman of Hell, from The Divine Comedy (Inferno) by Dante Alighieri

Charon, the Ferryman of Hell, from The Divine Comedy (Inferno) by Dante Alighieri
XJF393884 Charon, the Ferryman of Hell, from The Divine Comedy (Inferno) by Dante Alighieri (1265-1321) engraved by Stephane Pannemaker (1847-1930) c.1868 (engraving) by Dore

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: The Babylonian Whore from the Apocalypse or The Revelations of St

The Babylonian Whore from the Apocalypse or The Revelations of St
XAM78004 The Babylonian Whore from the Apocalypse or The Revelations of St. John the Divine, pub. 1498 (woodcut) by DAOErer or Duerer, Albrecht (1471-1528); 39.2x28.2 cm; Private Collection; German

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Dulle Griet (Mad Meg) raiding Hell (oil on panel)

Dulle Griet (Mad Meg) raiding Hell (oil on panel)
XAM76994 Dulle Griet (Mad Meg) raiding Hell (oil on panel) by Ryckaert, David III (1612-61); 47.5x63 cm; Kunsthistorisches Museum, Vienna

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Death on a Horse, 1899 (print)

Death on a Horse, 1899 (print)
XOS2909691 Death on a Horse, 1899 (print) by Redon, Odilon (1840-1916); 31.3x22.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: ); French, out of copyright

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: The Suicide (oil on canvas)

The Suicide (oil on canvas)
XIR61082 The Suicide (oil on canvas) by Alenza, Leonardo (1807-45); Museo Romantico, Madrid, Spain; Spanish, out of copyright

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: The tooth puller, the bagpipe player and the wood collectors, detail of the central

The tooth puller, the bagpipe player and the wood collectors, detail of the central
XIR468195 The tooth puller, the bagpipe player and the wood collectors, detail of the central panel of The Haywain Triptych, c.1515 (oil on panel) (detail of 3429) by Bosch

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: A quadruple wheel rules this fiery work, Emblem XVII from Atlanta

A quadruple wheel rules this fiery work, Emblem XVII from Atlanta
XJF425334 A quadruple wheel rules this fiery work, Emblem XVII from Atlanta Fugiens by Michael Maier, 1617 (engraving) by German School

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Masonic seal, 1780, from The History of Freemasonry, volume III, published by Thomas C

Masonic seal, 1780, from The History of Freemasonry, volume III, published by Thomas C
KW277996 Masonic seal, 1780, from The History of Freemasonry, volume III, published by Thomas C. Jack, London, 1883 (litho) by English School, (19th century); Private Collection; Ken Welsh; English

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Masonic seal of the Grand Chapter of London, from The History of Freemasonry

Masonic seal of the Grand Chapter of London, from The History of Freemasonry
KW277993 Masonic seal of the Grand Chapter of London, from The History of Freemasonry, volume II, published by Thomas C. Jack, London, 1883 (litho) by English School

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Masonic seal, from The History of Freemasonry, volume III, published by Thomas C

Masonic seal, from The History of Freemasonry, volume III, published by Thomas C
KW277995 Masonic seal, from The History of Freemasonry, volume III, published by Thomas C. Jack, London, 1883 (litho) by English School, (19th century); Private Collection; Ken Welsh; English

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: George Taylors Epitaph, c. 1750 (pen & ink over graphite on paper)

George Taylors Epitaph, c. 1750 (pen & ink over graphite on paper)
XYC281150 George Taylors Epitaph, c.1750 (pen & ink over graphite on paper) by Hogarth, William (1697-1764); 2.9x31.6 cm; Yale Center for British Art, Paul Mellon Collection

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Death comes for the Robber, from Der Todten Tanz, published Basel, 1843 (litho)

Death comes for the Robber, from Der Todten Tanz, published Basel, 1843 (litho)
KW278054 Death comes for the Robber, from Der Todten Tanz, published Basel, 1843 (litho) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info)

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Masonic seal, from The History of Freemasonry, volume II, published by Thomas C

Masonic seal, from The History of Freemasonry, volume II, published by Thomas C
KW277987 Masonic seal, from The History of Freemasonry, volume II, published by Thomas C. Jack, London, 1883 (litho) by English School

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Masonic seal, from The History of Freemasonry, volume III, published by Thomas C

Masonic seal, from The History of Freemasonry, volume III, published by Thomas C
KW277984 Masonic seal, from The History of Freemasonry, volume III, published by Thomas C. Jack, London, 1883 (litho) by English School, (19th century); Private Collection; Ken Welsh; English

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Skull, right hand panel reverse from the Triptych of Earthly Vanity and Divine Salvation, c

Skull, right hand panel reverse from the Triptych of Earthly Vanity and Divine Salvation, c
XIR279483 Skull, right hand panel reverse from the Triptych of Earthly Vanity and Divine Salvation, c.1485 (oil on panel) (b/w photo) by Memling, Hans (c.1433-94); 20x13.1 cm; Musee des Beaux-Arts

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: St. Michael Weighing the Souls at the Last Judgement, c. 1500 (tempera on panel)

St. Michael Weighing the Souls at the Last Judgement, c. 1500 (tempera on panel)
XIR269523 St. Michael Weighing the Souls at the Last Judgement, c.1500 (tempera on panel) by Leu, Hans the Elder (c.1460-1510) (attr.to); Kunsthaus, Zurich

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Death and the Devil come for the Card Player, engraved by Georg Scharffenberg

Death and the Devil come for the Card Player, engraved by Georg Scharffenberg
KW278051 Death and the Devil come for the Card Player, engraved by Georg Scharffenberg, from Der Todten Tanz, published Basel, 1843 (litho) by Holbein the Younger

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Death comes to the Knight or Count, from Der Todten Tanz, published Basel

Death comes to the Knight or Count, from Der Todten Tanz, published Basel
KW278038 Death comes to the Knight or Count, from Der Todten Tanz, published Basel, 1843 (litho) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info)

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Death comes to the Old Man, or the Hermit, from Der Todten Tanz, published Basel

Death comes to the Old Man, or the Hermit, from Der Todten Tanz, published Basel
KW278037 Death comes to the Old Man, or the Hermit, from Der Todten Tanz, published Basel, 1843 (litho) by Holbein the Younger

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Death comes to the Merchant, engraved by Georg Scharffenberg, from Der Todten Tanz

Death comes to the Merchant, engraved by Georg Scharffenberg, from Der Todten Tanz
KW278033 Death comes to the Merchant, engraved by Georg Scharffenberg, from Der Todten Tanz, published Basel, 1843 (litho) by Holbein the Younger

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Death comes for the Queen, engraved by Georg Scharffenberg, from Der Todten Tanz

Death comes for the Queen, engraved by Georg Scharffenberg, from Der Todten Tanz
KW278029 Death comes for the Queen, engraved by Georg Scharffenberg, from Der Todten Tanz, published Basel, 1843 (litho) by Holbein the Younger

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Death comes for the Emperor, engraved by Georg Scharffenberg, from Der Todten Tanz

Death comes for the Emperor, engraved by Georg Scharffenberg, from Der Todten Tanz
KW278026 Death comes for the Emperor, engraved by Georg Scharffenberg, from Der Todten Tanz, published Basel, 1843 (litho) by Holbein the Younger

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Masonic seal, from The History of Freemasonry, volume III, published by Thomas C

Masonic seal, from The History of Freemasonry, volume III, published by Thomas C
KW278002 Masonic seal, from The History of Freemasonry, volume III, published by Thomas C. Jack, London, 1883 (litho) by English School, (19th century); Private Collection; Ken Welsh; English

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Masonic seal, 1841, from The History of Freemasonry, volume III, published by Thomas C

Masonic seal, 1841, from The History of Freemasonry, volume III, published by Thomas C
KW277999 Masonic seal, 1841, from The History of Freemasonry, volume III, published by Thomas C. Jack, London, 1883 (litho) by English School, (19th century); Private Collection; Ken Welsh; English

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Scene from the Apocalypse, The angel holding the keys of the abyss and a big chain

Scene from the Apocalypse, The angel holding the keys of the abyss and a big chain
XIR266941 Scene from the Apocalypse, The angel holding the keys of the abyss and a big chain, enchains the dragon for a thousand years, Latin edition, 1511 (woodcut) (b/w photo) by DAOErer or Duerer

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Calavera du jarabe d outretombe (Dance of Death) (engraving on lead)

Calavera du jarabe d outretombe (Dance of Death) (engraving on lead)
XIR248219 Calavera du jarabe d outretombe (Dance of Death) (engraving on lead) (b/w photo) by Posada, Jose Guadalupe (1851-1913); 14x20 cm; Private Collection; (add.info)

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Satan Calling up his Legions

Satan Calling up his Legions
BAL25414 Satan Calling up his Legions by Blake, William (1757-1827); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Scene from the Apocalypse, Adoration of the Lamb, German edition, 1498 (woodcut)

Scene from the Apocalypse, Adoration of the Lamb, German edition, 1498 (woodcut)
XIR253278 Scene from the Apocalypse, Adoration of the Lamb, German edition, 1498 (woodcut) (b/w photo) by DAOErer or Duerer, Albrecht (1471-1528); 39.2x28.1 cm; Bibliotheque Nationale, Paris

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Scene from the Apocalypse, The Opening of the Fifth and Sixth Seals, Latin edition

Scene from the Apocalypse, The Opening of the Fifth and Sixth Seals, Latin edition
XIR253276 Scene from the Apocalypse, The Opening of the Fifth and Sixth Seals, Latin edition, 1511 (woodcut) (b/w photo) by DAOErer or Duerer

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Macbeth, Banquo and the Three Witches, The Historie of Scotlande, 1577, (woodcut)

Macbeth, Banquo and the Three Witches, The Historie of Scotlande, 1577, (woodcut)
XJF241065 Macbeth, Banquo and the Three Witches, The Historie of Scotlande, 1577, (woodcut) (b/w photo) by English School

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: The Dance of Death, from the choir (tempera on stone)

The Dance of Death, from the choir (tempera on stone)
XIR240242 The Dance of Death, from the choir (tempera on stone) by French School, (15th century); Church of St. Robert, La Chaise-Dieu, Haute-Loire, France; French, out of copyright

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Charon Conveying the Souls of the Dead across the Styx, 1860 (oil on canvas)

Charon Conveying the Souls of the Dead across the Styx, 1860 (oil on canvas)
BAL240137 Charon Conveying the Souls of the Dead across the Styx, 1860 (oil on canvas) by Pomerantsev, Konstantin Petrovich (1835-1913); 171.5x233 cm; State Art Museum, Nizhny Novgorod

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: The Hand of Glory (litho) (b / w photo)

The Hand of Glory (litho) (b / w photo)
XJF250700 The Hand of Glory (litho) (b/w photo) by English School; Private Collection; (add.info.: secrets merveilleux de la magie naturelle at cabalistique du Petit Albert; the right or left hand of)

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: The Garden of Earthly Delights: Allegory of Luxury, central panel of triptych, c

The Garden of Earthly Delights: Allegory of Luxury, central panel of triptych, c
XIR220997 The Garden of Earthly Delights: Allegory of Luxury, central panel of triptych, c.1500 (oil on panel) (detail) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid, Spain; Netherlandish

Background imageAfterlife, Folklore, Supernatural & Witchcraft Collection: Skeletons, illustration from Complainte de l Oubli et des Morts (pen & ink on paper)

Skeletons, illustration from Complainte de l Oubli et des Morts (pen & ink on paper)
XIR217867 Skeletons, illustration from Complainte de l Oubli et des Morts (pen & ink on paper) (b/w photo) by Laforgue, Jules (1860-87); Private Collection; (add.info)



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2003, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site