Home > 10 Oct 2016

Images Dated 10th October 2016 (page 105)

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Images Dated 10th October 2016: Feeding Time (w / c on paper)

Feeding Time (w / c on paper)
XPG366359 Feeding Time (w/c on paper) by Blacklock, William Kay (1872-1922); Private Collection; English, out of copyright

Images Dated 10th October 2016: The Shepherdess (oil on canvas)

The Shepherdess (oil on canvas)
XPG366358 The Shepherdess (oil on canvas) by Blacklock, William Kay (1872-1922); Private Collection; English, out of copyright

Images Dated 10th October 2016: Paddling, 1915 (w / c and pencil on paper)

Paddling, 1915 (w / c and pencil on paper)
XPG366356 Paddling, 1915 (w/c and pencil on paper) by Blacklock, William Kay (1872-1922); 34.8x25.4 cm; Private Collection; English, out of copyright

Images Dated 10th October 2016: Gathering Red Berries (oil on canvas)

Gathering Red Berries (oil on canvas)
XPG366321 Gathering Red Berries (oil on canvas) by Bauerle, Karl Wilhelm Friedrich (1831-1912); Private Collection; German, out of copyright

Images Dated 10th October 2016: The Mill Stream (w / c on paper)

The Mill Stream (w / c on paper)
XPG366328 The Mill Stream (w/c on paper) by Bingley, James George (1840-1920); Private Collection; English, out of copyright

Images Dated 10th October 2016: The Market Square (w / c on paper)

The Market Square (w / c on paper)
XPG366352 The Market Square (w/c on paper) by Blacklock, William Kay (1872-1922); Private Collection; English, out of copyright

Images Dated 10th October 2016: Cumberland hills from Wardrew House, Gilston (w / c on paper)

Cumberland hills from Wardrew House, Gilston (w / c on paper)
XPG366301 Cumberland hills from Wardrew House, Gilston (w/c on paper) by Aumonier, James (1832-1911); Private Collection; English, out of copyright

Images Dated 10th October 2016: Still life of flowers and fruit (oil on canvas)

Still life of flowers and fruit (oil on canvas)
XPG366323 Still life of flowers and fruit (oil on canvas) by Bellis, Hubert (1831-1902); Private Collection; Belgian, out of copyright

Images Dated 10th October 2016: A Rest by the Way (w / c on paper)

A Rest by the Way (w / c on paper)
XPG366306 A Rest by the Way (w/c on paper) by Adams, Charles James (1859-1931); Private Collection; English, out of copyright

Images Dated 10th October 2016: Poppy Girl (oil on canvas)

Poppy Girl (oil on canvas)
XPG366320 Poppy Girl (oil on canvas) by Bauerle, Karl Wilhelm Friedrich (1831-1912); Private Collection; German, out of copyright

Images Dated 10th October 2016: After the Dance (oil on canvas)

After the Dance (oil on canvas)
XPG366315 After the Dance (oil on canvas) by Barrable, George Hamilton (fl.1873-90); Private Collection; English, out of copyright

Images Dated 10th October 2016: In the Meadow (oil on canvas)

In the Meadow (oil on canvas)
XPG366310 In the Meadow (oil on canvas) by Adams, Charles James (1859-1931); Private Collection; English, out of copyright

Images Dated 10th October 2016: The Green Table Cloth, 1926 (oil on canvas)

The Green Table Cloth, 1926 (oil on canvas)
XPG366303 The Green Table Cloth, 1926 (oil on canvas) by Adam, Patrick William (1854-1930); 83.8x50.8 cm; Private Collection; (add.info.: depicts interior of the artists house, Ardilea ; ); Scottish

Images Dated 10th October 2016: By the Barn (oil on canvas)

By the Barn (oil on canvas)
XPG366309 By the Barn (oil on canvas) by Adams, Charles James (1859-1931); Private Collection; English, out of copyright

Images Dated 10th October 2016: Homeward Bound (w / c on paper)

Homeward Bound (w / c on paper)
XPG366308 Homeward Bound (w/c on paper) by Adams, Charles James (1859-1931); Private Collection; English, out of copyright

Images Dated 10th October 2016: Cattle grazing (oil on canvas)

Cattle grazing (oil on canvas)
XPG366307 Cattle grazing (oil on canvas) by Adams, Charles James (1859-1931); Private Collection; English, out of copyright

Images Dated 10th October 2016: When the Days Work is Done (w / c on paper)

When the Days Work is Done (w / c on paper)
XPG366305 When the Days Work is Done (w/c on paper) by Adams, Charles James (1859-1931); Private Collection; English, out of copyright

Images Dated 10th October 2016: An open air service on the Isle of Skye, Inner Hebrides, from Scottish Pictures Drawn with Pen

An open air service on the Isle of Skye, Inner Hebrides, from Scottish Pictures Drawn with Pen
KW366293 An open air service on the Isle of Skye, Inner Hebrides, from Scottish Pictures Drawn with Pen and Pencil, by Samuel G

Images Dated 10th October 2016: Inhabited huts on Uig, Island of Lewis in the Outer Hebrides in 1859, from Scottish

Inhabited huts on Uig, Island of Lewis in the Outer Hebrides in 1859, from Scottish
KW366292 Inhabited huts on Uig, Island of Lewis in the Outer Hebrides in 1859, from Scottish Pictures Drawn with Pen and Pencil, by Samuel G

Images Dated 10th October 2016: Resting in the Field (w / c on paper)

Resting in the Field (w / c on paper)
XPG366304 Resting in the Field (w/c on paper) by Adams, Charles James (1859-1931); Private Collection; English, out of copyright

Images Dated 10th October 2016: Balmoral Castle, Aberdeenshire, seen from the river Dee, from Scottish Pictures Drawn with Pen

Balmoral Castle, Aberdeenshire, seen from the river Dee, from Scottish Pictures Drawn with Pen
KW366295 Balmoral Castle, Aberdeenshire, seen from the river Dee, from Scottish Pictures Drawn with Pen and Pencil, by Samuel G

Images Dated 10th October 2016: Afternoon Tea by the Laurel Arch (w / c on paper)

Afternoon Tea by the Laurel Arch (w / c on paper)
XPG366300 Afternoon Tea by the Laurel Arch (w/c on paper) by Aubiniere, Georgina M. de l (fl.1876-1905); Private Collection; English, out of copyright

Images Dated 10th October 2016: Curling in the 19th century, from Scottish Pictures Drawn with Pen and Pencil

Curling in the 19th century, from Scottish Pictures Drawn with Pen and Pencil
KW366294 Curling in the 19th century, from Scottish Pictures Drawn with Pen and Pencil, by Samuel G. Green, published in 1886 (litho) by English School

Images Dated 10th October 2016: Signing the Covenant in Greyfriars Churchyard, Edinburgh in 1638, from Scottish

Signing the Covenant in Greyfriars Churchyard, Edinburgh in 1638, from Scottish
KW366290 Signing the Covenant in Greyfriars Churchyard, Edinburgh in 1638, from Scottish Pictures Drawn with Pen and Pencil, by Samuel G

Images Dated 10th October 2016: Interior of Roslin Chapel, with the Apprentice Pillar, from Scottish Pictures Drawn with Pen

Interior of Roslin Chapel, with the Apprentice Pillar, from Scottish Pictures Drawn with Pen
KW366287 Interior of Roslin Chapel, with the Apprentice Pillar, from Scottish Pictures Drawn with Pen and Pencil, by Samuel G

Images Dated 10th October 2016: Edinburgh University, Scotland, from Scottish Pictures Drawn with Pen and Pencil

Edinburgh University, Scotland, from Scottish Pictures Drawn with Pen and Pencil
KW366289 Edinburgh University, Scotland, from Scottish Pictures Drawn with Pen and Pencil, by Samuel G. Green, published in 1886 (litho) by English School

Images Dated 10th October 2016: View over Edinburgh from The Burns Monument on Calton Hill, from Scottish Pictures

View over Edinburgh from The Burns Monument on Calton Hill, from Scottish Pictures
KW366291 View over Edinburgh from The Burns Monument on Calton Hill, from Scottish Pictures Drawn with Pen and Pencil, by Samuel G

Images Dated 10th October 2016: Illustration after J. Tenniel for the poem The Blasphemers Warning

Illustration after J. Tenniel for the poem The Blasphemers Warning
KW366282 Illustration after J. Tenniel for the poem The Blasphemers Warning, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby, published in 1865 (litho) by English School

Images Dated 10th October 2016: Castle and Grassmarket, Edinburgh, Scotland, from Scottish Pictures Drawn with Pen

Castle and Grassmarket, Edinburgh, Scotland, from Scottish Pictures Drawn with Pen
KW366288 Castle and Grassmarket, Edinburgh, Scotland, from Scottish Pictures Drawn with Pen and Pencil, by Samuel G. Green, published in 1886 (litho) by English School

Images Dated 10th October 2016: Roberte de Byrchyngton, illustration for the poem The Brothers of Birchington, after J

Roberte de Byrchyngton, illustration for the poem The Brothers of Birchington, after J
KW366284 Roberte de Byrchyngton, illustration for the poem The Brothers of Birchington, after J. Tenniel, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby

Images Dated 10th October 2016: John Knox, from Scottish Pictures Drawn with Pen and Pencil, by Samuel G

John Knox, from Scottish Pictures Drawn with Pen and Pencil, by Samuel G
KW366286 John Knox, from Scottish Pictures Drawn with Pen and Pencil, by Samuel G. Green, published in 1886 (litho) by English School

Images Dated 10th October 2016: Rycharde de Byrchyngton, illustration for the poem Brothers of Birchington after J

Rycharde de Byrchyngton, illustration for the poem Brothers of Birchington after J
KW366283 Rycharde de Byrchyngton, illustration for the poem Brothers of Birchington after J. Tenniel, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby

Images Dated 10th October 2016: Illustration after George Cruikshank for the poem The Lay of St. Medard

Illustration after George Cruikshank for the poem The Lay of St. Medard
KW366278 Illustration after George Cruikshank for the poem The Lay of St. Medard, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby, published in 1865 (litho) by English School

Illustration after J. Tenniel for the poem The Blasphemers Warning
KW366281 Illustration after J. Tenniel for the poem The Blasphemers Warning, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby, published in 1865 (litho) by English School

Images Dated 10th October 2016: How did he hop, skip, bellow and roar, illustration after George Cruikshank

How did he hop, skip, bellow and roar, illustration after George Cruikshank
KW366279 How did he hop, skip, bellow and roar, illustration after George Cruikshank for the poem The Lay of St. Medard, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby

Images Dated 10th October 2016: Illustration after Georhe Cruikshank for the poem The Wedding Day

Illustration after Georhe Cruikshank for the poem The Wedding Day
KW366280 Illustration after Georhe Cruikshank for the poem The Wedding Day, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby, published in 1865 (litho) by English School

Images Dated 10th October 2016: She has given him a bun and a roll, illustration after George Cruikshank

She has given him a bun and a roll, illustration after George Cruikshank
KW366274 She has given him a bun and a roll, illustration after George Cruikshank for the poem Bloudie Jacke of Shrewsberrie, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby

Images Dated 10th October 2016: Illustration after George Cruikshank for the poem The Lay of St. Cuthbert

Illustration after George Cruikshank for the poem The Lay of St. Cuthbert
KW366276 Illustration after George Cruikshank for the poem The Lay of St. Cuthbert, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby, published in 1865 (litho) by English School

Images Dated 10th October 2016: While Beelzebubs tying huge knots in his tale, illustration after

While Beelzebubs tying huge knots in his tale, illustration after
KW366277 While Beelzebubs tying huge knots in his tale, illustration after George Cruikshank for the poem The Lay of St. Cuthbert, from The Ingoldsby Legends or Mirth and Marvels

Images Dated 10th October 2016: Illustration after George Cruikshank for the poem The Dead Drummer

Illustration after George Cruikshank for the poem The Dead Drummer
KW366275 Illustration after George Cruikshank for the poem The Dead Drummer, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby, published in 1865 (litho) by English School

Images Dated 10th October 2016: Illustration after George Cruikshank for Netley Abbey: A Legend of Hampshire

Illustration after George Cruikshank for Netley Abbey: A Legend of Hampshire
KW366273 Illustration after George Cruikshank for Netley Abbey: A Legend of Hampshire, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby

Images Dated 10th October 2016: Illustration after J. Tenniel for the poem Sir Rupert the Fearless, a legend of Germany

Illustration after J. Tenniel for the poem Sir Rupert the Fearless, a legend of Germany
KW366269 Illustration after J. Tenniel for the poem Sir Rupert the Fearless, a legend of Germany, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby

Illustration after J. Tenniel for the poem Sir Rupert the Fearless, a legend of Germany
KW366268 Illustration after J. Tenniel for the poem Sir Rupert the Fearless, a legend of Germany, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby

Images Dated 10th October 2016: Illustration after George Cruikshank for the poem The Merchant of Venice

Illustration after George Cruikshank for the poem The Merchant of Venice
KW366270 Illustration after George Cruikshank for the poem The Merchant of Venice, a legend of Italy, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby

Images Dated 10th October 2016: Illustration by J. Tenniel from the poem Sir Rupert the fearless, a legend of Germany

Illustration by J. Tenniel from the poem Sir Rupert the fearless, a legend of Germany
KW366267 Illustration by J. Tenniel from the poem Sir Rupert the fearless, a legend of Germany, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby

Images Dated 10th October 2016: Illustration by George Cruikshank for the poem The Monstre Balloon, from The

Illustration by George Cruikshank for the poem The Monstre Balloon, from The
KW366266 Illustration by George Cruikshank for the poem The Monstre Balloon, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby, published in 1865 (litho) by English School

Images Dated 10th October 2016: The Spectre of Tappington, from The Ingoldsby Legends or Mirth and Marvels

The Spectre of Tappington, from The Ingoldsby Legends or Mirth and Marvels
KW366256 The Spectre of Tappington, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby, published in 1865 (litho) by English School

Images Dated 10th October 2016: Illustration after J. Leech for the poem A Lay of St

Illustration after J. Leech for the poem A Lay of St
KW366263 Illustration after J. Leech for the poem A Lay of St. Gengulphus, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby, published in 1865 (litho) by English School

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