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20085027. AFGHANISTAN
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20085027. AFGHANISTAN
AFGHANISTAN Bamiyan Kakrak valley Watchtower at ruins once the site of a 21ft standing Buddha in a niche discovered in 1030 and surrounded by caves whose Buddhists paintings thought to date from the 9th and 9th Centuries AD but removed by French archaeologists and put in the National musuem in Kabul
Eye Ubiquitous specialise in unique images of People and Places, their Cultures and Environments
Media ID 20044560
© Jane Sweeney eye ubiquitous / hutchison
Archaeology Dominant Yellow Region Middle East
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This print by Jane Sweeney transports us to the mesmerizing region of Bamiyan in Afghanistan. Dominated by a warm yellow hue, it showcases the architectural marvels and rich archaeological heritage that define this ancient land. The focal point of the image is a watchtower situated amidst ruins that were once home to a magnificent 21ft standing Buddha. Dating back to 1030, this niche was surrounded by caves adorned with Buddhist paintings believed to originate from the 9th and 10th centuries AD. However, history took an unfortunate turn when French archaeologists removed these precious artworks and relocated them to the National Museum in Kabul for preservation. Despite their absence, one cannot help but be awestruck by the remnants of this sacred site, which still exude an undeniable aura of spirituality. Jane Sweeney's lens captures not just physical structures but also emotions tied to cultural loss and resilience. This photograph serves as a poignant reminder of how art transcends time and place, connecting us with our past while igniting curiosity about what lies ahead for such historically significant sites. Through her skillful composition and choice of subject matter, Sweeney invites viewers on a visual journey through Afghanistan's complex tapestry of history, architecture, and archaeology. It prompts contemplation about our collective responsibility towards preserving cultural treasures for future generations—a duty that extends far beyond commercial interests alone.
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