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Framed Print : Duke of Argyll at the Royal Academy

Duke of Argyll at the Royal Academy



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Duke of Argyll at the Royal Academy

John George Edward Henry Douglas Sutherland Campbell, 9th Duke of Argyll (1845-1914), also known as the Marquess of Lorne, and husband of Princess Louise, daughter of Queen Victoria, at Burlington House, Central London, for the opening of the Royal Academy exhibition

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 4418296

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10410362

Academy Argyle Argyll Campbell Husband Louise Marquess Opening


22"x18" Modern Frame

Add a touch of royal history to your home decor with our Framed Prints from Media Storehouse, featuring the captivating portrait of John George Edward Henry Douglas Sutherland Campbell, 9th Duke of Argyll, also known as the Marquess of Lorne, and his wife, Princess Louise, daughter of Queen Victoria. This exquisite image, sourced from the esteemed Mary Evans Prints Online, offers a glimpse into the grandeur of the late 19th century. Each print is meticulously framed to preserve its beauty and enhance your living space, making it an exceptional addition to any room. Embrace the elegance and rich history with this stunning Framed Print from Media Storehouse.

20x16 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 45.7cm x 50.8cm (18" x 20")

Estimated Product Size is 45.7cm x 55.9cm (18" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > John Henry Campbell

> Arts > Artists > Q > Queen Victoria Queen Victoria

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > Scotland > Argyll

> Europe > United Kingdom > Scotland > Sutherland

> Popular Themes > Queen Victoria


EDITORS COMMENTS
In this photograph, John George Edward Henry Douglas Sutherland Campbell, the 9th Duke of Argyll, also known as the Marquess of Lorne, is seen attending the opening of the Royal Academy exhibition in Burlington House, Central London. The Duke, who was born on May 25, 1845, was a prominent figure in British history, holding a significant place in the annals of the Edwardian era. The Duke's distinguished presence at the Royal Academy opening was not only a testament to his social standing but also a reflection of his close relationship with the British monarchy. He was, after all, the husband of Princess Louise, the fourth daughter of Queen Victoria. The Princess, who was born on March 18, 1848, was known for her artistic talents and was a patron of the arts. The Duke's elegant attire and regal demeanor exude an air of sophistication and refinement, making him a fitting representative of the aristocracy of the time. The photograph captures the grandeur of the occasion, with the ornate decor of Burlington House providing a stunning backdrop to the Duke's presence. The Royal Academy, an institution renowned for its contributions to the world of art, held great significance for the Duke and Princess Louise. They were both passionate patrons of the arts and had a deep appreciation for the creative talents showcased at the Academy. Their attendance at the opening of the exhibition was a testament to their commitment to supporting the arts and their role as influential figures in British society. This photograph is a fascinating glimpse into the past, offering a glimpse into the lives of the British aristocracy during the Edwardian era. It is a reminder of a time when art, culture, and royalty were inextricably linked, and the influence of the monarchy extended far beyond the walls of the palace.

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