Magic lantern slide circa 1880. Victorian / Edwardian. Social History. Slide set: Eastbourne Pier. On January 1st 1877, a severe storm completely washed away the the whole of shoreward end. That is why the pier now has a slope midway connecting the two sections. This photograph was taken between 1877 and 1888 when a theatre was built at the end of the pier

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Magic lantern slide circa 1880. Victorian / Edwardian. Social History. Slide set: Eastbourne Pier. On January 1st 1877, a severe storm completely washed away the the whole of shoreward end. That is why the pier now has a slope midway connecting the two sections. This photograph was taken between 1877 and 1888 when a theatre was built at the end of the pier

Magic lantern slide circa 1880.Victorian/Edwardian.Social History. Slide set: Eastbourne Pier. On January 1st 1877, a severe storm completely washed away the the whole of shoreward end. That is why the pier now has a slope midway connecting the two sections. This photograph was taken between 1877 and 1888 when a theatre was built at the end of the pier

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Media ID 24898593

© Design Pics / John Short

1877 1880 1888 1900 Advertisement Circa Edwardnian Lady Lantern Magic Pier Sailor Slide Social Victorian Cameo Eastbourne Pianos Victorians

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EDITORS COMMENTS
This print captures a glimpse into the rich history of Eastbourne Pier during the Victorian and Edwardian eras. Dating back to circa 1880, this magic lantern slide showcases an important moment in the pier's timeline. On January 1st, 1877, a devastating storm swept away the entire shoreward end of the pier, leading to its unique design feature - a sloping midway connecting two sections. The image offers a fascinating insight into how natural forces shaped this iconic structure. As we admire this snapshot frozen in time, we can imagine the resilience and determination of those who rebuilt and adapted Eastbourne Pier after such destruction. Between 1877 and 1888, as seen in this photograph, an exciting addition was made at the end of the pier - a theater. This new attraction would have surely drawn crowds eager for entertainment amidst stunning coastal scenery. John Short's skillful composition allows us to immerse ourselves in an era where beachside leisure was becoming increasingly popular among Victorians. The cameo appearances of elegantly dressed ladies and sailors evoke nostalgia for simpler times when strolling along piers was considered fashionable pastime. As we gaze upon this magical slice of social history through John Short's lens, we are reminded that even structures built by human hands are subject to nature's whims. Yet they endure with renewed purpose and continue to be cherished by generations who visit them today.

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