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Mouse Mat : Coopers Hall, Bristol a98_04318

Coopers Hall, Bristol a98_04318




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Historic England

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Coopers Hall, Bristol a98_04318

COOPERs HALL, King Street, Bristol. Perspective view of Coopers Hall, Bristol, with the first two gables of St Nicholas Almshouse just visible. The Hall was designed by William Halfpenny and built in 1743. Photographed by Eric de Mare between 1945 and 1980

Historic England is the public body that champions and protects England's historic places

Media ID 4974653

© Historic England

Georgian


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > K > Nicholas King

> Asia > Georgia > Related Images

> Historic England > Architecture > Georgian Architecture

> Historic England > Historic Images > Famed Photographers > Eric de Mare Collection (1955-1980)

> Historic England > Towns and Cities > Bristol

> Historic England > The way we were > Georgian Life > Georgian Buildings

> Popular Themes > Eric de Mare


EDITORS COMMENTS
This print captures the timeless beauty of Coopers Hall, nestled in the heart of Bristol's historic King Street. Standing proudly against a backdrop of cobblestone streets and centuries-old architecture, this Georgian gem exudes an air of elegance and sophistication. Designed by the renowned architect William Halfpenny and completed in 1743, Coopers Hall is a testament to Bristol's rich architectural heritage. Its intricate facade showcases exquisite details that have withstood the test of time, while its grandeur commands attention from all who pass by. In this perspective view captured by Eric de Mare between 1945 and 1980, we are treated to a glimpse of not only Coopers Hall but also the first two gables of St Nicholas Almshouse peeking through in the distance. This juxtaposition highlights both buildings' historical significance and their harmonious coexistence within Bristol's urban fabric. De Mare's expert composition allows us to appreciate every nuance of these architectural marvels – from the delicate carvings adorning Coopers Hall to the weathered bricks that tell tales of centuries gone by. The play between light and shadow adds depth and drama to this already mesmerizing scene. As we gaze upon this photograph print, we cannot help but be transported back in time – imagining bustling streets filled with horse-drawn carriages, merchants conducting business within these hallowed walls, and whispers echoing through narrow alleyways. It serves as a poignant reminder that history lives on through our built environment – connecting

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