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CM18 0545 Sian Brooks, Yamaha TZ250L
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CM18 0545 Sian Brooks, Yamaha TZ250L
Sian Brooks, Yamaha TZ250L, Mike Hailwood Trophy, Goodwood 75th Members Meeting, March 2017, Goodwood Motor Circuit, GRRC, Motor racing, nostalgia, retro, classic bikes, racing bikes, two stroke, motorbike, motorcycle
CJM Photography features motor sport classic/historic events as well as those of the current era
Media ID 13447839
© 2017 Chris McEvoy, www.cjm-photography.co.uk, all rights reserved
Classic Bikes Goodwood 75th Members Meeting Grrc March 2017 Mike Hailwood Trophy Motorbike Motorcycle Racing Bikes Two Stroke Yamaha Yamaha Tz250l
CM18 0545 Sian Brooks, Yamaha TZ250L - A Glimpse into the Golden Era of Motor Racing
EDITORS COMMENTS
. This print by Chris McEvoy takes us back to the iconic Goodwood Motor Circuit during the prestigious Goodwood 75th Members Meeting in March 2017. The image captures a moment of pure adrenaline as Sian Brooks fearlessly maneuvers her Yamaha TZ250L through the historic track. The Mike Hailwood Trophy race is renowned for showcasing classic bikes that evoke nostalgia and pay homage to racing's golden era. This photograph perfectly encapsulates that sentiment, with its retro charm and timeless appeal. The sleek lines of the Yamaha TZ250L, combined with its unmistakable two-stroke engine sound, transport us back to an era when motor racing was raw and exhilarating. As we gaze upon this remarkable image, we can almost feel the excitement in the air and hear the thunderous roar of engines echoing throughout Goodwood Motor Circuit. It serves as a reminder of why classic bikes hold such a special place in our hearts – they embody passion, skill, and an unwavering love for speed. Chris McEvoy's expert photography skills have beautifully captured this fleeting moment in time. Through his lens, he has immortalized Sian Brooks' daring performance on her Yamaha TZ250L – a testament to both rider and machine. This print is not just a piece of art; it is a portal into motor racing history that will continue to inspire
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