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Mrs Salmons Waxworks in Fleet Street, London, the Madame Tussaud

Mrs Salmons Waxworks in Fleet Street, London, the Madame Tussaud


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Mrs Salmons Waxworks in Fleet Street, London, the Madame Tussaud

Mrs Salmons Waxworks in Fleet Street, London, the Madame Tussaud. Waxworks of Kings and Queens. There was a figure on crutches at the door and Old Mother Shipton, a witch from the 16th century. The exhibition was sold for 500 and moved to Water Lane, London. When Mrs Salmon first removed from St. Martin s-le-Grand to near St. Dunstans Church, she announced with true professional dignity, that the new locality " was more convenient for the qualitys coaches to stand unmolested." Date: 19th Century

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Media ID 20953341

© Mary Evans Picture Library

Attraction Exhibit Exhibited Exhibiting Figures Madame Museums Salmons Sculptor Tourist Tussaud Tussauds Visitors Waxwork Waxworks


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EDITORS COMMENTS
In this photograph from the 19th century, we find ourselves standing before the exterior of Mrs. Salmon's Waxworks, located in Fleet Street, London. The intriguing display of human figurines, meticulously crafted from wax, attracts the attention of visitors from all walks of life. Among the crowd, a figure on crutches can be seen making their way towards the entrance, while Old Mother Shipton, a 16th-century witch, keeps a watchful eye over the scene. Mrs. Salmon's Waxworks, also known as Madame Tussaud's, was a renowned tourist attraction in London during this era. The exhibition showcased an impressive collection of wax figures, primarily consisting of kings, queens, and other notable historical figures. The price of admission was set at 500, a considerable sum during that time, indicating the prestige and exclusivity of the experience. When Mrs. Salmon relocated her exhibition from St. Martin's-le-Grand to near St. Dunstan's Church, she proudly declared that the new location was more suitable for the "quality's coaches to stand unmolested." This statement underscores the refined nature of the exhibition and the clientele it attracted. The figure of Mrs. Salmon, the sculptor and exhibitor, stands at the forefront of this photograph, her presence a testament to the artistry and innovation that brought her waxworks to life. As visitors gather outside, eager to explore the wonders within, we are transported back in time, offering a glimpse into the allure and fascination of early museums and their role in shaping our collective cultural heritage.

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