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Mouse Mat : Brieux / Trade Card

Brieux  /  Trade Card




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Brieux / Trade Card

EUGENE BRIEUX French writer, with a scene from Les Remplacantes

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 620022

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10072008

1858 1932 Eugene Inset Signature Brieux


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 13.7cm x 23.7cm (5.4" x 9.3")

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This photo print, sourced from Mary Evans Picture Library, showcases a significant moment from the theatrical career of renowned French writer Eugène Brieux (1858-1932). The image features an inset portrait of Brieux, signed in gold script, accompanied by a scene from one of his most famous plays, "Les Remplacantes" (The Replacements). Brieux was a prolific playwright, known for his socially conscious dramas that tackled contemporary issues, including women's rights, social inequality, and moral dilemmas. "Les Remplacantes," first performed in Paris in 1909, tells the story of a woman who takes her sister's place as a governess for an aristocratic family, ultimately revealing the harsh realities of class and gender inequalities. The scene depicted in the print shows a young woman tenderly holding a child, while another woman, presumably the mother, looks on with concern. The expression on the mother's face suggests that she is grappling with the implications of the revelation that her governess is not who she believed her to be. This poignant moment encapsulates the themes of identity, deception, and the complexities of human relationships that are explored in Brieux's groundbreaking work. This historic trade card, dating back to 1932, offers a fascinating glimpse into the world of early 20th-century French theatre and the enduring legacy of Eugène Brieux's impact on the literary and theatrical landscape. The gold-signed inset adds an elegant touch to the image, making it a captivating addition to any collection of theatre history or French literature.

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