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Ballet / Mirror / Reznicek
Before the mirror
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 593884
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10044877
Ballet Exercises Mirror Reznicek
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This photograph, titled "Before the Mirror: Ballet Exercises by Reznicek" (1908), offers a rare glimpse into the world of early 20th century ballet training. The image, taken from the Mary Evans Picture Library, depicts a dedicated ballerina in the midst of her daily practice, meticulously reflecting on her form and technique in the mirror. The photograph is a testament to the historical significance of ballet and its intricate relationship with mirrors. Mirrors have been an essential tool for dancers since the 15th century, allowing them to perfect their positions, alignment, and expression. This photograph, taken over a century ago, demonstrates that the importance of mirrors in ballet training remains unchanged. The subject of the photograph, dressed in a simple leotard and tights, is engrossed in her exercises under the watchful eye of her teacher, Austrian ballet master Franz Xaver Reznicek. Reznicek, a renowned figure in the world of dance, was known for his innovative teaching methods and meticulous attention to detail. His influence on the development of ballet technique is evident in the focused and determined expression of the ballerina in the photograph. The stage behind the ballerina is bare, save for a single ballet barre, emphasizing the simplicity and purity of the art form. The photograph captures the essence of the ballet studio, where the pursuit of perfection and the beauty of movement come together in a harmonious dance between the dancer and her reflection. This photograph is not only a historical document of ballet training in the early 20th century but also a reminder of the timeless nature of the art form and the enduring role of mirrors in shaping the bodies and souls of dancers.
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