Framed Print : Austen / Sense & Sensibilt
Framed Photos from Mary Evans Picture Library
Austen / Sense & Sensibilt
Lucy Steele shows the portrait of Edward Ferrars to Elinor. Date: First published: 1811
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7116055
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10135666
1811 Austen Elinor Ferrars Lucy Muff Sense Sensibility Steele
22"x18" Modern Frame
Bring a touch of classic literature to your home decor with our exquisite Framed Prints from Media Storehouse. This beautiful artwork, titled "Austen / Sense & Sensibility: Lucy Steele Shows the Portrait of Edward Ferrars to Elinor," is a captivating depiction of a scene from the beloved novel by Jane Austen. Featuring an image sourced from Mary Evans Prints Online, this framed print is a must-have for any Austen enthusiast or bibliophile. The high-quality print is expertly framed in a timeless design, adding an air of sophistication and elegance to any room. Immerse yourself in the world of Sense and Sensibility and relive the intricacies of love, family, and morality, all while enjoying the beauty of this classic work of art.
20x16 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 45.7cm x 50.8cm (18" x 20")
Estimated Product Size is 45.7cm x 55.9cm (18" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this enchanting scene from Jane Austen's beloved novel, "Sense and Sensibility," Lucy Steele (portrayed here in an elegant Regency-era costume, complete with a cozy muff) proudly displays the portrait of Edward Ferrars to Elinor Dashwood. The year is 1811, and the sisters' lives have been turned upside down by a series of romantic entanglements and misunderstandings. Edward, a shy and reserved young man, has recently confessed his love for Elinor, but she remains uncertain of his true feelings. In an attempt to win her over, Lucy, who harbors her own secret affection for Edward, presents Elinor with this portrait as proof of his devotion. Elinor, portrayed here with a thoughtful expression and a stack of books in her lap, examines the portrait intently. She is known for her sense of reason and rationality, and she is weighing the evidence before her to determine the truth about Edward's feelings. The portrait itself is a testament to the time period's obsession with capturing the likenesses of loved ones. Edward's serious expression and well-groomed appearance speak to his character, while the intricate details of his attire and the delicate folds of Lucy's muff add to the overall sense of authenticity. This moment in the novel is a poignant reminder of the importance of appearances and the role they play in shaping our perceptions of others. It also highlights the complex web of relationships and emotions that Austen so masterfully explores in "Sense and Sensibility.
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