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Winslow Homer Gallery

Choose from 439 pictures in our Winslow Homer collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Snap the Whip, 1872 (oil on canvas) Featured Winslow Homer Print

Snap the Whip, 1872 (oil on canvas)

3468959 Snap the Whip, 1872 (oil on canvas) by Homer, Winslow (1836-1910); 30.5x50.8 cm; Metropolitan Museum of Art, New York, USA; (add.info.: After the Civil War, children shown as embodiments of innocence and the promise of Americaa??s future, evoking nostalgia for the nationa??s agrarian past as the population shifted to cities, and the little red schoolhouse faded from memory. Released from their lessons, the exuberant bare-footed boys engage in a spirited game of snap the whip, which required teamwork - an important skill for reuniting a country.
); American, out of copyright

© Metropolitan Museum of Art, New York, USA / Bridgeman Images

Flower Garden and Bungalow, Bermuda, 1899 (w/c and graphite on off-white wove paper) Featured Winslow Homer Print

Flower Garden and Bungalow, Bermuda, 1899 (w/c and graphite on off-white wove paper)

3468948 Flower Garden and Bungalow, Bermuda, 1899 (w/c and graphite on off-white wove paper) by Homer, Winslow (1836-1910); 35.4x53.2 cm; Metropolitan Museum of Art, New York, USA; (add.info.: In 1884 Homer was commissioned by Century Magazine to illustrate an article called a??A Midwinter Resorta?? about Nassau, port city of the Bahamas. He made many further winter visits to tropical locations and watercolour became his preferred medium while travelling.); American, out of copyright

© Metropolitan Museum of Art, New York, USA / Bridgeman Images

Old Mill (The Morning Bell), 1871 (oil on canvas) Featured Winslow Homer Print

Old Mill (The Morning Bell), 1871 (oil on canvas)

3247973 Old Mill (The Morning Bell), 1871 (oil on canvas) by Homer, Winslow (1836-1910); 61x96.8 cm; Yale University Art Gallery, New Haven, CT, USA; (add.info.: After the Civil War, economic necessity forced many women to work in factories. Isolated at the crossroads of the painting, a young woman remains symbolically poised between an agrarian past and the increasingly depersonalized, industrial present.); American, out of copyright

© Yale University Art Gallery, New Haven, CT, USA / Bridgeman Images