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Thomas Ender Collection (#5)

Thomas Ender is a renowned Austrian artist who has been creating art for over 30 years

516 Items

Background imageThomas Ender Collection: North View of St Nicholas Church (ink & w / c on paper)

North View of St Nicholas Church (ink & w / c on paper)
1214400 North View of St Nicholas Church (ink & w/c on paper) by Johnson, Robert (1771-96); 43.1x32.6 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: At the end of the 18th century)

Background imageThomas Ender Collection: Tynemouth Priory, East End, 1878 (bodycolour, pencil & w / c on paper)

Tynemouth Priory, East End, 1878 (bodycolour, pencil & w / c on paper)
1214288 Tynemouth Priory, East End, 1878 (bodycolour, pencil & w/c on paper) by Storey, John (1828-88); Laing Art Gallery, Newcastle-upon-Tyne

Background imageThomas Ender Collection: The Ale-Wifes End (engraving)

The Ale-Wifes End (engraving)
3654582 The Ale-Wifes End (engraving) by English School, (19th century); Private Collection; (add.info.: The Ale-Wifes End)

Background imageThomas Ender Collection: North side of St Pauls Cathedral, London, church yard with the end of Cheapside (engraving)

North side of St Pauls Cathedral, London, church yard with the end of Cheapside (engraving)
586823 North side of St Pauls Cathedral, London, church yard with the end of Cheapside (engraving) by Hornor, Thomas (1785-1844); Private Collection; (add.info.: North side of St Pauls Cathedral)

Background imageThomas Ender Collection: Dr Abel Moysey, c. 1765 (oil on canvas)

Dr Abel Moysey, c. 1765 (oil on canvas)
450318 Dr Abel Moysey, c.1765 (oil on canvas) by Gainsborough, Thomas (1727-88); 127.5x102 cm; The Holburne Museum, Bath, UK; (add.info)

Background imageThomas Ender Collection: The Western Branch of the Bank of England in Burlington Gardens (litho)

The Western Branch of the Bank of England in Burlington Gardens (litho)
5227008 The Western Branch of the Bank of England in Burlington Gardens (litho) by Malton, Thomas (1748-1804) (after); Private Collection; (add.info)

Background imageThomas Ender Collection: Tatenhill Church: pen and ink drawing, 1836 (drawing)

Tatenhill Church: pen and ink drawing, 1836 (drawing)
5899109 Tatenhill Church: pen and ink drawing, 1836 (drawing) by Wood, Thomas Peploe (1817-45); 27.9x19.1 cm; The William Salt Library, Stafford, UK; (add.info.: S. W. View of Tatenhill Church)

Background imageThomas Ender Collection: Dailbards lightning experiment, 1752 - Experience done on 10 May 1752

Dailbards lightning experiment, 1752 - Experience done on 10 May 1752
XEE4146666 Dailbards lightning experiment, 1752 - Experience done on 10 May 1752, by Thomas Francois (Thomas-Francois) Dalibard (1703-1779) a Marly

Background imageThomas Ender Collection: Christchurch, Spitalfields

Christchurch, Spitalfields
GHL8669 Christchurch, Spitalfields by Shepherd, Thomas Hosmer (1792-1864); London Metropolitan Archives, City of London; eLondon Metropolitan Archives; English, out of copyright

Background imageThomas Ender Collection: Portrait of a Lady, c. 1879 (oil on canvas)

Portrait of a Lady, c. 1879 (oil on canvas)
TW429365 Portrait of a Lady, c.1879 (oil on canvas) by Legros, Alphonse (1837-1911); 48.5x38.5 cm; Sunderland Museum & Winter Gardens, Tyne & Wear

Background imageThomas Ender Collection: Battle of Nashville, December 15-16th, 1864, engraved by Kurz & Allison

Battle of Nashville, December 15-16th, 1864, engraved by Kurz & Allison
PNP269220 Battle of Nashville, December 15-16th, 1864, engraved by Kurz & Allison, 1891 (colour litho) by American School

Background imageThomas Ender Collection: Warehouses etc at the end of the Tunnel towards Wapping

Warehouses etc at the end of the Tunnel towards Wapping
STC267568 Warehouses etc at the end of the Tunnel towards Wapping, plate 9 from Coloured View of the Liverpool & Manchester Railway, engraved by S.G. Hughes, published by Ackermann & Co

Background imageThomas Ender Collection: Western side of John Nashs extended Regent Circus (detail) from

Western side of John Nashs extended Regent Circus (detail) from
STC214686 Western side of John Nashs extended Regent Circus (detail) from London As It Is, engraved and published by the artist, 1842 (colour litho) by Boys

Background imageThomas Ender Collection: Piccadilly from the corner of Old Bond Street, from London As It Is

Piccadilly from the corner of Old Bond Street, from London As It Is
STC214684 Piccadilly from the corner of Old Bond Street, from London As It Is, engraved and published by the artist, 1842 (colour litho) by Boys

Background imageThomas Ender Collection: Audley End, Essex, the Seat of Lord Braybrooke (engraving)

Audley End, Essex, the Seat of Lord Braybrooke (engraving)
981413 Audley End, Essex, the Seat of Lord Braybrooke (engraving) by Bartlett, William Henry (1809-54) (after); Private Collection; (add.info.: Audley End, Essex, the Seat of Lord Braybrooke)

Background imageThomas Ender Collection: The Bishop and Death (pencil, pen and ink and watercolour)

The Bishop and Death (pencil, pen and ink and watercolour)
651903 The Bishop and Death (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 14x20.6 cm; Private Collection; (add.info.: The Bishop and Death. Thomas Rowlandson (1756-1827)

Background imageThomas Ender Collection: Entrance from Mile End or Whitechapel Turnpike (colour litho)

Entrance from Mile End or Whitechapel Turnpike (colour litho)
GHL34723 Entrance from Mile End or Whitechapel Turnpike (colour litho) by Rowlandson, Thomas (1756-1827); London Metropolitan Archives, City of London; eLondon Metropolitan Archives; English

Background imageThomas Ender Collection: Coming from School (colour litho)

Coming from School (colour litho)
CHT184964 Coming from School (colour litho) by Stothard, Thomas (1755-1834); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; English, out of copyright

Background imageThomas Ender Collection: Hints Church: pen drawing, 1836 (drawing)

Hints Church: pen drawing, 1836 (drawing)
5898004 Hints Church: pen drawing, 1836 (drawing) by Wood, Thomas Peploe (1817-45); 22.9x17.8 cm; The William Salt Library, Stafford, UK; (add.info.: South East View of Hints Church)

Background imageThomas Ender Collection: Harborne Church: sepia wash drawing, 1836 (drawing)

Harborne Church: sepia wash drawing, 1836 (drawing)
5897832 Harborne Church: sepia wash drawing, 1836 (drawing) by Wood, Thomas Peploe (1817-45); 25.4x17.8 cm; The William Salt Library, Stafford, UK; (add.info.: Harborne Church, 1836)

Background imageThomas Ender Collection: Scene from a production of Shakespeares Henry VIII at the Lyceum Theatre, London (litho)

Scene from a production of Shakespeares Henry VIII at the Lyceum Theatre, London (litho)
6014288 Scene from a production of Shakespeares Henry VIII at the Lyceum Theatre, London (litho) by English School, (19th century); Private Collection; (add.info)

Background imageThomas Ender Collection: Autograph letter signed as United States Ambassador to France, to Giovanni Fabbroni

Autograph letter signed as United States Ambassador to France, to Giovanni Fabbroni
5917248 Autograph letter signed as United States Ambassador to France, to Giovanni Fabbroni, Paris, 24 May 1789 (pen & ink on paper with wax seal) by Jefferson

Background imageThomas Ender Collection: The Camp of the Foreign Legion near Hythe, Kent 1855 (lithograph, colour)

The Camp of the Foreign Legion near Hythe, Kent 1855 (lithograph, colour)
5929303 The Camp of the Foreign Legion near Hythe, Kent 1855 (lithograph, colour) by Picken, Thomas (fl.1838-70); National Army Museum, London; (add.info.: The Camp of the Foreign Legion near Hythe)

Background imageThomas Ender Collection: The Voyage of Life: Old Age, 1842 (oil on canvas)

The Voyage of Life: Old Age, 1842 (oil on canvas)
3740462 The Voyage of Life: Old Age, 1842 (oil on canvas) by Cole, Thomas (1801-1848); 133.4x196.2 cm; National Gallery of Art, Washington DC

Background imageThomas Ender Collection: Entrance of the Army into the City of Mexico, 1848 (chromolitho)

Entrance of the Army into the City of Mexico, 1848 (chromolitho)
1272223 Entrance of the Army into the City of Mexico, 1848 (chromolitho) by Wagner, Thomas S. (fl.1840); 10.6x18 cm; Free Library of Philadelphia; (add.info.: Wagner, Thomas S)

Background imageThomas Ender Collection: Chelsea Old Church (engraving)

Chelsea Old Church (engraving)
1107857 Chelsea Old Church (engraving) by Railton, Herbert (1857-1910) (after); Private Collection; (add.info.: Chelsea Old Church)

Background imageThomas Ender Collection: The end of the exile, from The Bible Picture Book published by Thomas Nelson, c

The end of the exile, from The Bible Picture Book published by Thomas Nelson, c
3482230 The end of the exile, from The Bible Picture Book published by Thomas Nelson, c.1950 (colour litho) by Margetson, William Henry (1861-1940); Private Collection; English, out of copyright

Background imageThomas Ender Collection: North-East End of King Street, showing Welsh Market in 1802 (w / c on paper)

North-East End of King Street, showing Welsh Market in 1802 (w / c on paper)
2831722 North-East End of King Street, showing Welsh Market in 1802 (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageThomas Ender Collection: South End of Princes Street, 1825 (pencil & w / c on paper)

South End of Princes Street, 1825 (pencil & w / c on paper)
2832388 South End of Princes Street, 1825 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageThomas Ender Collection: Queen Elizabeths Arms in oak formerly in a house at the south west end of Clare

Queen Elizabeths Arms in oak formerly in a house at the south west end of Clare
2831983 Queen Elizabeths Arms in oak formerly in a house at the south west end of Clare Street (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery

Background imageThomas Ender Collection: The Galilee, West End of Durham Cathedral (engraving)

The Galilee, West End of Durham Cathedral (engraving)
669693 The Galilee, West End of Durham Cathedral (engraving) by Allom, Thomas (1804-72) (after); Private Collection; (add.info.: The Galilee, West End of Durham Cathedral)

Background imageThomas Ender Collection: Battle of Mill Spring, Ky. Jan 19th 1862 (colour litho)

Battle of Mill Spring, Ky. Jan 19th 1862 (colour litho)
497538 Battle of Mill Spring, Ky. Jan 19th 1862 (colour litho) by Currier, N. (1813-88) and Ives, J.M. (1824-95); 30.3x40.3 cm; Gilder Lehrman Collection, New York

Background imageThomas Ender Collection: Bathos, Manner of Sinking, in Sublime Paintings inscribed to the Dealers in Dark Pictures

Bathos, Manner of Sinking, in Sublime Paintings inscribed to the Dealers in Dark Pictures
STC451226 Bathos, Manner of Sinking, in Sublime Paintings inscribed to the Dealers in Dark Pictures, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth

Background imageThomas Ender Collection: The Rag Fair, c. 1800 (w / c)

The Rag Fair, c. 1800 (w / c)
SOU81953 The Rag Fair, c.1800 (w/c) by Rowlandson, Thomas (1756-1827); 28.3x34.5 cm; Southampton City Art Gallery, Hampshire, UK; (add.info.: Rag Fair, near present-day Liverpool Street Station)

Background imageThomas Ender Collection: The Old Smithfield Market, 1887 (oil on canvas)

The Old Smithfield Market, 1887 (oil on canvas)
CH8192 The Old Smithfield Market, 1887 (oil on canvas) by Cooper, Thomas Sidney (1803-1902); Private Collection; Photo eChristies Images; English, out of copyright

Background imageThomas Ender Collection: South side of St Pauls Cathedral, London, church yard, St Austins Church

South side of St Pauls Cathedral, London, church yard, St Austins Church and the end of Watling Street (engraving)
586824 South side of St Pauls Cathedral, London, church yard, St Austins Church and the end of Watling Street (engraving) by Hornor

Background imageThomas Ender Collection: View of Waterloo Bridge from the East End of Somerset House Terrace (engraving)

View of Waterloo Bridge from the East End of Somerset House Terrace (engraving)
GHL32737 View of Waterloo Bridge from the East End of Somerset House Terrace (engraving) by Shepherd, Thomas Hosmer (1792-1864); London Metropolitan Archives

Background imageThomas Ender Collection: Warehouses etc at the end of the Tunnel towards Wapping

Warehouses etc at the end of the Tunnel towards Wapping
2655286 Warehouses etc at the end of the Tunnel towards Wapping, published 1831 (hand coloured engraving) by Bury, Thomas Talbot (1811-77); Private Collection; (add.info)

Background imageThomas Ender Collection: The Weddings, illustration from The Vicar of Wakefield by Oliver Goldsmith, pub

The Weddings, illustration from The Vicar of Wakefield by Oliver Goldsmith, pub
PT309569 The Weddings, illustration from The Vicar of Wakefield by Oliver Goldsmith, pub. Ackermann, 1817 (hand-coloured aquatint) by Rowlandson, Thomas (1756-1827); Private Collection; English

Background imageThomas Ender Collection: Design for the End Wall of the Eating Parlour, Headfort House

Design for the End Wall of the Eating Parlour, Headfort House
XYC284261 Design for the End Wall of the Eating Parlour, Headfort House (pen & black ink over graphite with w/c on laid paper) by Adam, Robert (1728-92); 39.2x31.6 cm; Yale Center for British Art

Background imageThomas Ender Collection: Culloden Moor, looking across the Moray Firth, 1746, engraved by H. Griffiths, c

Culloden Moor, looking across the Moray Firth, 1746, engraved by H. Griffiths, c
NAM244269 Culloden Moor, looking across the Moray Firth, 1746, engraved by H. Griffiths, c.1830 (engraving) by Allom, Thomas (1804-72) (after); National Army Museum

Background imageThomas Ender Collection: Stone Church - Brass of Thomas Crompton: pen and wash drawing, nd [19th cent] (drawing)

Stone Church - Brass of Thomas Crompton: pen and wash drawing, nd [19th cent] (drawing)
5898745 Stone Church - Brass of Thomas Crompton: pen and wash drawing, nd [19th cent] (drawing) by Fernyhough, John Robert (1808-75); 20.3x15.2 cm; The William Salt Library, Stafford

Background imageThomas Ender Collection: Rolleston Church: red-sepia drawing, 1836 (drawing)

Rolleston Church: red-sepia drawing, 1836 (drawing)
5898378 Rolleston Church: red-sepia drawing, 1836 (drawing) by Wood, Thomas Peploe (1817-45); 20.3x16.5 cm; (add.info.: North West View of Rolleston Church, showing a Norman north door)

Background imageThomas Ender Collection: Newborough Church: pen and ink drawing, 1836 (drawing)

Newborough Church: pen and ink drawing, 1836 (drawing)
5898072 Newborough Church: pen and ink drawing, 1836 (drawing) by Wood, Thomas Peploe (1817-45); 21.6x15.2 cm; The William Salt Library, Stafford

Background imageThomas Ender Collection: Whittington Church: sepia drawing, 1836 (drawing)

Whittington Church: sepia drawing, 1836 (drawing)
5897756 Whittington Church: sepia drawing, 1836 (drawing) by Wood, Thomas Peploe (1817-45); 22.9x17.8 cm; The William Salt Library, Stafford

Background imageThomas Ender Collection: Staircase at Audley End, Essex (colour litho)

Staircase at Audley End, Essex (colour litho)
6016785 Staircase at Audley End, Essex (colour litho) by Richardson, Charles James (1806-71); Private Collection; (add.info.: Staircase at Audley End, Essex)

Background imageThomas Ender Collection: Fort Royal, Guadeloupe, 1759 (engraving, coloured)

Fort Royal, Guadeloupe, 1759 (engraving, coloured)
5925123 Fort Royal, Guadeloupe, 1759 (engraving, coloured) by Campbell, Archibald (1739-91) (after); National Army Museum, London; (add.info.: Fort Royal, Guadeloupe, 1759)

Background imageThomas Ender Collection: The Voyage of Life: Old Age (detail), 1842 (oil on canvas)

The Voyage of Life: Old Age (detail), 1842 (oil on canvas)
4073416 The Voyage of Life: Old Age (detail), 1842 (oil on canvas) by Cole, Thomas (1801-1848); 133.4 x 196.2 cm; National Gallery of Art, Washington DC



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Thomas Ender Collection

Thomas Ender is a renowned Austrian artist who has been creating art for over 30 years. His works have been exhibited in galleries and museums around the world, including the Museum of Modern Art in New York City. He is best known for his abstract paintings, which often feature bold colors and geometric shapes. He also creates sculptures and installations that explore themes of identity, memory, and history. His work has been praised by critics for its unique blend of traditional techniques with contemporary elements. Thomas Ender's art is a reflection of his own life story: one filled with joys and sorrows, successes and failures. Through his artwork he seeks to share his experiences with others in order to create meaningful connections between people from all walks of life.
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Our beautiful Wall Art and Photo Gifts include Framed Prints, Photo Prints, Poster Prints, Canvas Prints, Jigsaw Puzzles, Metal Prints and so much more

The Thomas Ender collection, available on Media Storehouse, is a stunning array of wall art, framed prints, photo prints, canvas prints, jigsaw puzzles and greeting cards. Our collection features the works of Austrian painter and lithographer Thomas Ender (1793-1875), who was known for his landscape paintings and depictions of Middle Eastern life. His works are characterized by their vivid colors and intricate details that capture the essence of nature in all its glory. Our collection includes some of Ender's most famous pieces such as "View from the Window at Capuchin Monastery," "A View over Constantinople" and "The Great Pyramid." Each piece has been carefully reproduced to ensure that it captures every detail of the original artwork. Whether you're looking for a statement piece for your living room or a unique gift for someone special, there's something in our collection to suit every taste. The Thomas Ender collection is an excellent choice for anyone looking to add some classic beauty to their home or office decor.
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What are Thomas Ender (Artists Arts) art prints?

Thomas Ender was an Austrian painter who lived from 1793 to 1875. He is best known for his landscape paintings and watercolours, which often depicted the natural beauty of Austria and Italy. Thomas Ender's art prints are reproductions of his original works that have been carefully crafted to capture the essence of his unique style. These art prints showcase Ender's ability to create stunning landscapes with intricate details that transport viewers into a world of natural beauty. They are perfect for those who appreciate fine art and want to add a touch of elegance to their home or office decor. Whether you're looking for a serene mountain scene or a picturesque view of an Italian village, Thomas Ender's art prints offer something for everyone. With their high-quality printing and attention to detail, these prints are sure to impress even the most discerning art lover.
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What Thomas Ender (Artists Arts) art prints can I buy from Media Storehouse?

We offer a wide range of Thomas Ender art prints that you can purchase. Some of the popular options include his stunning landscape paintings, which showcase the beauty and grandeur of nature in all its glory. These prints are perfect for adding a touch of elegance to any room in your home or office. In addition to landscapes, Media Storehouse also offers a selection of Ender's portraits, which capture the essence and personality of his subjects with remarkable detail and precision. Whether you're looking for a classic portrait or something more contemporary, there is sure to be an option that suits your taste. Finally, if you're interested in historical artwork, we have several Thomas Ender prints that depict important events and figures from history. From battles and wars to famous leaders and cultural icons, these prints offer a fascinating glimpse into the past while also providing beautiful decorative pieces for your home or office.
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How do I buy Thomas Ender (Artists Arts) art prints?

To buy Thomas Ender art prints from Media Storehouse, you can browse our online collection of his works. Once you have found a print that you like, add it to your cart and proceed to checkout. You will need to provide your shipping address and payment information at this point. We offer a range of sizes for each print, so be sure to select the size that best suits your needs. We also offer framing options if you would like the print ready-to-hang upon arrival. Once your order has been processed, Media Storehouse will ship the print directly to your chosen address. It is important to note that these prints are for personal use only and cannot be used commercially without permission from both Media Storehouse and the artist's estate. Buying Thomas Ender art prints from Media Storehouse is a simple process that allows you to enjoy beautiful artwork in the comfort of your own home.
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How much do Thomas Ender (Artists Arts) art prints cost?

We offer a wide range of Thomas Ender art prints for purchase. The cost of these prints varies depending on the specific piece and size selected. Our collection includes both framed and unframed options to suit different preferences and budgets. Thomas Ender was an Austrian painter known for his landscape paintings, particularly those depicting scenes from the Middle East. His works are highly sought after by collectors and art enthusiasts alike, making them a valuable addition to any home or office space. We take pride in offering high-quality reproductions of Thomas Ender's artwork at affordable prices. Whether you're looking for a small print to display on your desk or a large canvas to hang in your living room, we have something that will meet your needs. Browse our selection today to find the perfect piece for you.
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How will my Thomas Ender (Artists Arts) art prints be delivered to me?

We take great care in ensuring that your Thomas Ender art prints are delivered to you safely and securely. We use high-quality packaging materials to protect your artwork during transit, including sturdy cardboard tubes or flat packages depending on the size and type of print. Our delivery partners are reliable and efficient, ensuring that your order arrives at your doorstep within a reasonable timeframe. You will receive a tracking number once your order has been dispatched so that you can keep an eye on its progress. We understand how important it is for you to receive your artwork in pristine condition, which is why we take every precaution necessary to ensure that it arrives in perfect condition. Our team of experts carefully inspect each print before dispatching it to ensure that there are no defects or imperfections. Rest assured that when you order from Media Storehouse, you can expect nothing but the highest quality service and products.