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Jacques Callot Gallery

Available as Framed Prints, Photos, Wall Art and Gift Items

Choose from 466 pictures in our Jacques Callot collection for your Wall Art or Photo Gift. Popular choices include Framed Prints, Canvas Prints, Posters and Jigsaw Puzzles. All professionally made for quick delivery.


Featured Jacques Callot Print

Siege of La Rochelle (engraving)

XIR3050331 Siege of La Rochelle (engraving) by Callot, Jacques (1592-1635); Musee des Plans et Reliefs, Paris, France; (add.info.: The Siege of La Rochelle (French: Le SiA?ge de La Rochelle, or sometimes Le Grand SiA?ge de La Rochelle) was a result of a war between the French royal forces of Louis XIII of France and the Huguenots of La Rochelle in 1627a??28.); French, out of copyright

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Featured Jacques Callot Print

Louis XIII (1601-43) and Cardinal Richelieu (1585-1642) at the Siege of l'Ile de Re, c

XIR149198 Louis XIII (1601-43) and Cardinal Richelieu (1585-1642) at the Siege of l'Ile de Re, c.1628 (pen & ink and pencil on paper) by Callot, Jacques (1592-1635); 34x52.8 cm; Louvre, Paris, France; (add.info.: French island in the Bay of Biscay;); French, out of copyright

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Armand Jean Du Plessis, Attack, Battle, Besieged, Boat, Preliminary Study, Shore, The Thirty Years War

Featured Jacques Callot Print

A dream caused by the perusal of Mrs. H. Beecher Stowe's pop

A dream caused by the perusal of Mrs. H. Beecher Stowe's popular work Uncle Tom's Cabin. An imaginative and biting satire on Harriet Beecher Stowe and her recently published antislavery novel Uncle Tom's Cabin. Printed serially beginning in June 1851, the novel first appeared in book form in 1852. The artist has concocted a chaotic, nightmarish vision, where armies of demons and other monsters battle in a barren, desert setting reminiscent of the infernal visions of Hieronymus Bosch and Jacques Callot. (Murrell points out, in fact, that the plate borrows its central motif--an enormous flying demon--from Callot's Temptation of St. Anthony.) In the center a leering black man dressed as a Quaker holds a flag Women of England To The Rescue. To the left, near the mouth of a cave marked Underground Railway, Mrs. Stowe is pulled and harassed by demons. She holds up a book that reads, Uncle Tom's Cabin, I Love the Blacks. Another woman (or perhaps Mrs. Stowe again) rides in a parade of demons on the right. In the distance, several monsters feed copies of Uncle Tom's Cabin to a blazing fire. Date c1853. A dream caused by the perusal of Mrs. H. Beecher Stowe's popular work Uncle Tom's Cabin. An imaginative and biting satire on Harriet Beecher Stowe and her recently published antislavery novel Uncle Tom's Cabin. Printed serially beginning in June 1851, the novel first appeared in book form in 1852. The artist has concocted a chaotic, nightmarish vision, where armies of demons and other monsters battle in a barren, desert setting reminiscent of the infernal visions of Hieronymus Bosch and Jacques Callot. (Murrell points out, in fact, that the plate borrows its central motif--an enormous flying demon--from Callot's Temptation of St. Anthony.) In the center a leering black man dressed as a Quaker holds a flag Women of England To The Rescue. To the left, near the mouth of a cave marked Underground Railway, Mrs. Stowe is pulled and harassed by demons. She holds up a book that reads

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