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Alpine Geology flood evidence Scheuchzer

Alpine Geology flood evidence Scheuchzer


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Alpine Geology flood evidence Scheuchzer

1731 Copperplate print of alpine geology and recurved strata as evidence of the catastrophe of Noahs Flood. Print is from Johann Jakob Scheuchzers (born August 2nd 1672 - died June 23rd 1733) Physica Sacra (1731). The book was a scientifically illustrated Biblical History. In it and his earlier Lithographia helveticae, he states fossils as evidences of the Biblical flood. Notoriously he illustrated Homo Diluvii testis as a human victim of the flood. The fossil was only identified correctly as a giant Salamander by Cuvier in 1811

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 6318321

© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com

Alps Bible Biblical Black And White Creationism Creationist Cuvier Early Flood Geologist Giant Homo Palaeontological Paleontologist Salamander Strata Stratigraphy Mono Chrome Palaeontology Physica Sacra Scheuchzer


EDITORS COMMENTS
This print, titled "Alpine Geology flood evidence Scheuchzer" is a remarkable piece of art that showcases the early understanding of geology and its connection to biblical history. Created by Johann Jakob Scheuchzer in 1731 as part of his renowned book Physica Sacra, this copperplate print depicts the fascinating concept of Noah's Flood. Scheuchzer was a prominent scientist who believed that fossils were proof of the Biblical flood. In this artwork, he illustrates recurved strata found in the Alps as evidence supporting his theory. Notably, he misidentified one fossil as Homo Diluvii testis, a human victim of the flood. It wasn't until 1811 when Cuvier correctly identified it as a giant Salamander. The monochrome aesthetic adds an air of antiquity to this historical illustration. The intricate details and precise lines showcase Scheuchzer's skillful craftsmanship and dedication to scientific accuracy. This print serves not only as an artistic masterpiece but also as a testament to the early exploration of geology and paleontology. It highlights how our understanding has evolved over time through advancements in scientific research. As we admire this artwork today, we can appreciate both its beauty and its significance in shaping our knowledge about Earth's history. It reminds us that science is an ever-evolving field where new discoveries continue to challenge previous assumptions – just like how Cuvier corrected Scheuchzer's misidentification centuries later.

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