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Virgin with Child and Saints. Altar piece in glazed terracotta by Andrea della Robbia located inside the Oratory of Our Lady of the Good Counsel in Prato
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Virgin with Child and Saints. Altar piece in glazed terracotta by Andrea della Robbia located inside the Oratory of Our Lady of the Good Counsel in Prato
Virgin with Child and Saints. Altar piece in glazed terracotta by Andrea della Robbia located inside the Oratory of Our Lady of the Good Counsel in Prato. Prato Oratory of Our Lady of the Good Counsel High Relief High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1900 ca.. Date of Artwork:1489. Artist:Della Robbia, Andrea
Brogi
BGA-F-012769-0000
Media ID 33165673
© Alinari Archives, Florence
Annunciation Bishop Book Catherine Of Alexandria Clergy Crown Instrument Or Object Jewelry Life And Representations Of The Virgin Life Of Christ Madonna And Child Mantle Cloak Mary Magdalen Nativity Palmhigh Renaissance Pastoral Staff Tiara Miter Applied Arts And Crafts Christian Religion Headdress Civilian Subject Vegetal Element Or Composition
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EDITORS COMMENTS
This print captures the exquisite beauty of Andrea della Robbia's "Virgin with Child and Saints" altar piece, housed inside the Oratory of Our Lady of the Good Counsel in Prato. Created in glazed terracotta during the High Renaissance period, this artwork is a testament to Della Robbia's mastery in combining various artistic styles. The image showcases intricate details that bring each element to life. The Virgin Mary tenderly cradles baby Jesus while surrounded by an array of saints and biblical figures. Their expressions radiate devotion and serenity, capturing the essence of religious devotion during this time. The composition is adorned with symbols and objects that hold significant meaning within Christianity. A crown symbolizes Mary's divine status as Queen of Heaven, while jewelry represents her purity and grace. Books and writing instruments signify knowledge and communication, highlighting Mary's role as a teacher and guide. The artwork also incorporates elements from different periods such as Renaissance-Baroque styles, showcasing the evolution of art throughout history. This fusion creates a harmonious blend between traditional religious iconography and contemporary artistic techniques. Brogi's photograph was taken around 1900, allowing us to appreciate both the original masterpiece created by Della Robbia in 1489 and its preservation over centuries. It serves as a visual bridge connecting us to Europe's rich cultural heritage from both the first millennium A. D. , when Christianity flourished, to modern times. Through this photo print, we are transported into a world where faith intertwines with artistry—a realm where spirituality finds expression through delicate brushstrokes on glazed terracotta panels. It invites contemplation on themes like annunciation, nativity, life of Christ—themes that have shaped Western civilization for generations. In conclusion, Brogi’s photograph immortalizes Andrea della Robbia’s remarkable creation—an altar piece that continues to inspire awe among viewers today—and reminds us of our shared human connection across centuries through art and religion.
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