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View of the interior of the Church of Santa Croce in Florence. The photograph shows the nave, parts of the side aisles and the apse with glass windows

View of the interior of the Church of Santa Croce in Florence. The photograph shows the nave, parts of the side aisles and the apse with glass windows


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View of the interior of the Church of Santa Croce in Florence. The photograph shows the nave, parts of the side aisles and the apse with glass windows

View of the interior of the Church of Santa Croce in Florence. The photograph shows the nave, parts of the side aisles and the apse with glass windows. Florence Church of Santa Croce Nave Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca. Date of Artwork:1295 -1385. Artist:Arnolfo di Cambio (documented 1265, probably died in 1302)

Alinari, Fratelli
ACA-F-002079-0000

Media ID 33154483

© Alinari Archives, Florence

Churchgothic Environment Furnishings For Sacred Spaces Gallery Interior Nave Pilaster Stained Glass Window Truss


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> Architecture > Churches

> Architecture > Religious

> Architecture > Styles > Gothic Architecture

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Historic > Medieval architecture > Gothic architecture > Stained glass windows

> Religious Art > Religious Architecture > Churches and Cathedrals

> Religious Art > Religious Architecture


EDITORS COMMENTS
This print showcases the breathtaking interior of the Church of Santa Croce in Florence. Taken around 1890, it offers a glimpse into the architectural marvel that has stood since the Middle Ages. The photograph captures the grandeur of the nave, with its towering arches and intricate detailing. As we explore further, our eyes are drawn to parts of the side aisles and finally to the apse adorned with magnificent glass windows. These stained glass masterpieces illuminate the sacred space, casting vibrant hues across its stone walls. The Church of Santa Croce is a testament to European Gothic architecture and holds immense historical significance. Its construction dates back to between 1295 and 1385 under Arnolfo di Cambio's visionary guidance. This renowned artist documented his work from as early as 1265 until his probable death in 1302. Within this image lies not only an appreciation for artistry but also an understanding of religious devotion. The structure itself serves as a sanctuary for Christian worshipers who have sought solace within these hallowed halls throughout centuries past. Every element captured by Alinari, Fratelli speaks volumes about this remarkable place: from furniture and furnishings to building elements such as pilasters, galleries, trusses, and more. It encapsulates both beauty and functionality—architecture designed not only to inspire awe but also to provide spiritual nourishment. Let us immerse ourselves in this visual journey through time—a window into Europe's first and second millenniums AD—where faith intertwines with artistic mastery amidst stunning Gothic design.

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