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The temptation and the expulsion of Adam and Eve from Paradise; drawing by Jacopo Bellini, in the British Museum in London
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The temptation and the expulsion of Adam and Eve from Paradise; drawing by Jacopo Bellini, in the British Museum in London
The temptation and the expulsion of Adam and Eve from Paradise; drawing by Jacopo Bellini, in the British Museum in London Great Britain London, British Museum Drawing Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920. Date of Artwork:1420-1470. Artist:Bellini, Jacopo
Anderson
ADA-F-020172-0000
Media ID 33147521
© Alinari Archives, Florence
Adam Animal Bible Old Testament Of Physical Rapport People Snake Story Of Adam And Eve Temptation Treeearly Renaissance Women Abstract Concept And Symbol Concept Or Subject Expressed Punishment Society And Politics Subject
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EDITORS COMMENTS
This print showcases Jacopo Bellini's exquisite drawing of "The temptation and the expulsion of Adam and Eve from Paradise" housed in the renowned British Museum in London, Great Britain. The artwork, dating back to the Early Renaissance period between 1420-1470, is a testament to Bellini's mastery of both Renaissance and Renaissance-Baroque styles. In this evocative piece, Bellini skillfully captures the timeless tale of Adam and Eve with his allegorical representation. The abstract concept and symbol of temptation are vividly portrayed as Adam, a male figure representing all men, succumbs to the allure presented by Eve. Meanwhile, Eve herself embodies femininity and womanhood within this iconic story. The central focus lies on a snake slithering amidst lush vegetation surrounding an ancient tree—a pivotal element that leads to mankind's downfall. This scene not only depicts physical rapport but also reflects society and politics through its exploration of human desires. Bellini's attention to detail is remarkable as he portrays both figures in their vulnerable state—Adam nude showcasing the male form while Eve draped modestly—as they face divine punishment for their transgressions against God's commandment. This powerful artwork serves as a visual narrative expressing concepts found within biblical texts such as the Old Testament. Its significance extends beyond religious contexts into broader themes explored during the Renaissance-Baroque era across Europe. Anderson beautifully captures this profound masterpiece through his lens in 1920—an image that continues to captivate viewers today with its rich historical context and artistic brilliance.
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