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Study of a male figure with his leg bent forward. Drawing by Federico Barocci, in the Gabinetto dei Disegni e delle Stampe, at the Uffizi Gallery in Florence
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Study of a male figure with his leg bent forward. Drawing by Federico Barocci, in the Gabinetto dei Disegni e delle Stampe, at the Uffizi Gallery in Florence
Study of a male figure with his leg bent forward. Drawing by Federico Barocci, in the Gabinetto dei Disegni e delle Stampe, at the Uffizi Gallery in Florence Florence Uffizi Gallery, Gabinetto dei Disegni e delle Stampe Drawing Mannerism, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1913. Date of Artwork:1550 - 1600 ca.. Artist:Barocci, Federico Fiori, known as (1528-1612)
Mannelli, Anchise & C.
MAA-F-011342-0000
Media ID 33189613
© Alinari Archives, Florence
Malemannerism Parts Of The Body
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EDITORS COMMENTS
This photograph captures a remarkable drawing by Federico Barocci, showcasing his mastery of the human form. The artwork, titled "Study of a male figure with his leg bent forward" is housed in the prestigious Gabinetto dei Disegni e delle Stampe at the Uffizi Gallery in Florence. Barocci's meticulous attention to detail is evident in this piece, as he skillfully depicts the male figure with his leg gracefully extended. The artist's use of light and shadow adds depth and dimension to the composition, further enhancing its realism. Dating back to the period between 1550 and 1600, this drawing exemplifies both Mannerism and Renaissance-Baroque styles that were prevalent during that era. It serves as a testament to Barocci's contribution to European art during the first and second millennium A. D. The subject matter of this artwork focuses on various parts of the body, particularly highlighting an arm alongside a nude portrayal of a man. This intimate portrait showcases Barocci's ability to capture not only physical features but also emotions through his delicate strokes. Photographed in 1913 by Anchise & C. Mannelli from Alinari, this image allows us to appreciate Barocci's work even if we cannot witness it firsthand at the Uffizi Gallery today. It serves as a reminder of how art can transcend time and continue to inspire generations centuries after its creation. Overall, this photograph encapsulates both beauty and historical significance within one frame – an exquisite representation of Barocci's talent preserved for all admirers of art worldwide.
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