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Study of a hand with closed fist, sanguine drawing on red paper by Leonardo da Vinci, preserved at the Royal Library of Windsor
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Study of a hand with closed fist, sanguine drawing on red paper by Leonardo da Vinci, preserved at the Royal Library of Windsor
Study of a hand with closed fist, sanguine drawing on red paper by Leonardo da Vinci, preserved at the Royal Library of Windsor. Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2001. Date of Artwork:1470-1519 ca.. Artist:Leonardo da Vinci (1452-1519)
PDP-S-000007-0297
Media ID 33195055
© Alinari Archives, Florence
Armhigh Renaissance Finger Hand Parts Of The Body
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EDITORS COMMENTS
This print showcases Leonardo da Vinci's exquisite "Study of a hand with closed fist". The sanguine drawing on red paper, preserved at the Royal Library of Windsor, is a testament to the artist's unparalleled talent and mastery. Leonardo da Vinci, renowned for his contributions to various fields including art, science, and engineering, created this piece during the High Renaissance period in Europe. With its intricate details and lifelike representation of human anatomy, this artwork exemplifies the beauty and precision characteristic of Renaissance-Baroque styles. The photograph was taken in 2001, capturing every nuance of Leonardo's original creation dating back to approximately 1470-1519. The image allows us to appreciate the delicate lines that form each finger and the subtle shading that gives depth to the hand. In this study of a hand with a closed fist, we witness Leonardo's keen observation skills as he meticulously captures both external features and internal structure. It serves as a reminder of his relentless pursuit to understand every aspect of nature through careful examination. This particular artwork focuses on one part of the body but speaks volumes about Leonardo's fascination with human anatomy. His curiosity led him to dissect cadavers in order to gain an intimate understanding of how muscles connect and bones articulate—a practice considered groundbreaking during his time. As we gaze upon this remarkable print by Alinari, we are transported back in time—immersing ourselves in Leonardo da Vinci's genius while contemplating our own complex existence within these mortal shells called bodies.
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