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The Sepulchre of Bernardino Rota, inside the church of S. Domenico Maggiore in Naples
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
The Sepulchre of Bernardino Rota, inside the church of S. Domenico Maggiore in Naples
The Sepulchre of Bernardino Rota, inside the church of S. Domenico Maggiore in Naples Naples Church of S. Domenico Maggiore Funerary Monument High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1879-1910. Date of Artwork:1569-1571. Artist:D'Auria, Giovanni Domenico
Brogi
BGA-F-012797-0000
Media ID 33171649
© Alinari Archives, Florence
Armor Death Female Figure Inscription Male Figure River Abstract Concept And Symbol Concept Or Subject Expressed Type Of Representation
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EDITORS COMMENTS
This photograph captures the majestic Sepulchre of Bernardino Rota, nestled inside the historic Church of S. Domenico Maggiore in Naples. The sepulchre itself is a remarkable example of High Renaissance art, created between 1569 and 1571 by the talented Giovanni D'Auria. The artwork showcases an exquisite blend of Renaissance and Renaissance-Baroque styles, reflecting Europe's artistic evolution during the First and Second Millennium A. D. As we delve into this image, we are transported back to a time when art was not only visually stunning but also conveyed deep symbolic meaning. Intricate inscriptions adorn the sepulchre, emphasizing its purpose as a final resting place for Bernardino Rota. A male figure stands beside it, holding an instrument that symbolizes communication - perhaps representing Rota's legacy or his role as a messenger in life. A female figure can be seen nearby, embodying death itself with her ethereal presence. She stands next to a river that signifies transition from one realm to another - from life to eternity. The photograph also highlights elements of military symbolism with armor displayed prominently on both sides. This suggests Rota's affiliation with military service or his valorous nature during his lifetime. As our gaze shifts towards the background, we notice another male figure depicted in nude form – an allegory for human vulnerability and mortality. This portrait serves as a poignant reminder that even in death, our physical bodies remain exposed and fragile. Brogi masterfully captured this timeless masterpiece between 1879 and 1910 without compromising its intricate details or overall grandeur. Through this photograph from Alinari collection, viewers can appreciate not only the beauty of this funerary monument but also gain insight into European art history spanning multiple periods – from High Renaissance to Renaissance-Baroque styles.
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