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Sepulchral monument of Cardinal Ludovico d'Albret, marble, Andrea Bregno (c. 1418-1503), Church of Santa Maria in Aracoeli, Rome
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Sepulchral monument of Cardinal Ludovico d'Albret, marble, Andrea Bregno (c. 1418-1503), Church of Santa Maria in Aracoeli, Rome
Sepulchral monument of Cardinal Ludovico d'Albret, marble, Andrea Bregno (c. 1418-1503), Church of Santa Maria in Aracoeli, Rome Rome Church of S. Maria in Aracoeli Funerary Monument. Date of Photograph:1920-1930 ca.. Date of Artwork:1465. Artist:Bregno, Andrea
Alinari, Fratelli
ACA-F-026693-0000
Media ID 33115329
© Alinari Archives, Florence
Brand Cardinal Clergy Crest Death Francis Of Assisi George Nobility Of The Nobility Paul Peter Scene Means Of Communication Sepulchre Structure Or Place Abstract Concept And Symbol Christian Religion Concept Or Subject Expressed Emblem Of Famous Persons
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EDITORS COMMENTS
This photograph captures the Sepulchral monument of Cardinal Ludovico d'Albret, a masterpiece crafted by the skilled hands of Andrea Bregno. The marble sculpture stands proudly in the Church of Santa Maria in Aracoeli, Rome, emanating an air of solemnity and reverence. The sepulchral monument is a testament to both the artistic prowess of Bregno and the religious significance it holds. Its creation dates back to 1465, showcasing intricate details that have withstood the test of time. The photograph itself was taken between 1920-1930, capturing this timeless artwork for generations to come. At first glance, one cannot help but be drawn into its ethereal beauty. An angelic figure hovers above the tombstone, symbolizing transcendence from earthly existence into spiritual realms. The presence of age is evident on every surface as cracks etch their way through the marble structure. Within this grandiose scene are depictions of saints such as St. Francis of Assisi, Paul, Peter, and George - revered figures within Christian religion who inspire devotion and faithfulness among believers. Their inclusion adds depth to this already profound composition. As we delve deeper into this visual narrative, we encounter various elements that speak volumes about Cardinal Ludovico d'Albret's life and legacy: his noble lineage represented by crests and emblems; his position within clergy denoted by cardinal attire; his association with famous persons immortalized in portraits adorning the sepulchre. Through Alinari's lens, we witness not only a physical representation but also an allegory encompassing physiological aspects like aging and psychological facets related to mortality. It serves as a reminder that death is inevitable for all individuals regardless of status or nobility. In conclusion, this remarkable print allows us to appreciate Andrea Bregno's artistry while contemplating profound concepts such as life, death, and the enduring power of religious symbolism. It serves
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