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Two sculpted capitals of the cloister of the Cathedral of Monreale, depicting Cain and Abel. Below it, the smooth geminate columns are visible
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Two sculpted capitals of the cloister of the Cathedral of Monreale, depicting Cain and Abel. Below it, the smooth geminate columns are visible
Two sculpted capitals of the cloister of the Cathedral of Monreale, depicting Cain and Abel. Below it, the smooth geminate columns are visible. Monreale Cathedral, cloister Capital Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1929 ca.. Date of Artwork:1175-1200 ca
Anderson
ADA-F-029459-0000
Media ID 33148736
© Alinari Archives, Florence
Acanthus Aggressiveness Bible Old Testament Brother Sister Death Family Herbaceous High Relief Human Psychology Of Civil Status Person And Social Status Pyschological Behavior Story Of Cain And Abel Abstract Concept And Symbol Concept Or Subject Expressed Society And Politics Subject
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EDITORS COMMENTS
This photograph, taken around 1929, showcases two sculpted capitals of the cloister in the magnificent Cathedral of Monreale. The intricate carvings depict the biblical story of Cain and Abel, offering a glimpse into the rich history and artistic prowess of the Romanesque era during the Middle Ages. The high relief sculptures beautifully capture both the physicality and psychological behavior associated with this tragic tale. Symbolizing aggression and human psychology, these masterpieces explore themes of death, allegory, and abstract concepts that resonate even today. Beneath these remarkable capitals lie smooth geminate columns that add to the visual grandeur of this architectural marvel. Each column stands as a testament to meticulous craftsmanship from centuries past. Intriguingly adorned with acanthus leaves and oak trees - symbols often associated with strength, longevity, and growth - these sculptures delve deeper into individual physiological aspects while also reflecting societal dynamics prevalent during Europe's first and second millenniums. As we gaze upon this print captured by Anderson from Alinari's collection, we are transported back in time to an age where art served not only as decoration but also as a medium for storytelling. The scene depicted here reminds us of humanity's complex relationships within families or civil society at large. This photograph is not merely an object; it represents an exploration into historical context through architecture. It invites us to contemplate our own place in history while appreciating the enduring power of sculpture as a means to express profound concepts found within religious texts such as those from Old Testament Bible stories like Cain and Abel.
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