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Rear view of Judith and Holofernes, late work by Donatello, formerly in the Loggia dei Lanzi in the Piazza della Signoria, now in the Sala dei Gigli of the Palazzo Vecchio, Florence

Rear view of Judith and Holofernes, late work by Donatello, formerly in the Loggia dei Lanzi in the Piazza della Signoria, now in the Sala dei Gigli of the Palazzo Vecchio, Florence


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Rear view of Judith and Holofernes, late work by Donatello, formerly in the Loggia dei Lanzi in the Piazza della Signoria, now in the Sala dei Gigli of the Palazzo Vecchio, Florence

Rear view of Judith and Holofernes, late work by Donatello, formerly in the Loggia dei Lanzi in the Piazza della Signoria, now in the Sala dei Gigli of the Palazzo Vecchio, Florence Florence Sculptural Group Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1938 ca.. Date of Artwork:1445-1460 ca.. Artist:Donato di Niccol di Betto Bardi known as Donatello

Alinari, Fratelli
ACA-F-063838-0000

Media ID 33121805

© Alinari Archives, Florence

Aggressiveness Bible Old Testament Holofernes Human Psychology Judith People Pillow Pyschological Behavior Story Of Judith Swordearly Renaissance Women Subject


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> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Baroque paintings

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art

> Historical artwork

> Renaissance art


EDITORS COMMENTS
This photograph captures the rear view of Donatello's late masterpiece, "Rear view of Judith and Holofernes". Originally displayed in the Loggia dei Lanzi in the Piazza della Signoria, this iconic sculpture now finds its home in the Sala dei Gigli of the Palazzo Vecchio in Florence. Donatello's work is a testament to his mastery of sculptural art during the Early Renaissance period. The artist skillfully portrays an intense moment from biblical history, depicting Judith and Holofernes. This scene showcases not only Donatello's technical prowess but also delves into deeper themes such as aggressiveness, psychological behavior, and human psychology. The composition focuses on Holofernes' vulnerability as he lies defenseless while Judith stands behind him with a sword poised for action. The contrast between their physicality highlights gender dynamics within society at that time. It explores power dynamics between men and women, making it a thought-provoking subject even today. A significant detail captured by Alinari Fratelli is a pillow placed beneath Holofernes' head. This object symbolizes comfort juxtaposed against imminent danger—a subtle reminder that violence can strike unexpectedly. Through this photograph, viewers are transported back to Renaissance Europe when individualism was celebrated alongside physiological and psychological aspects of humanity. Donatello's work exemplifies how art can tell stories from ancient texts like the Bible's Old Testament while still resonating with audiences centuries later. Alinari Fratelli expertly captures every intricate detail of this timeless artwork through their lens, allowing us to appreciate Donatello's genius anew. As we gaze upon this print from 1938 ca. , we are reminded once again why Renaissance-Baroque styles continue to captivate our imagination across generations—bridging gaps between different periods throughout history within one single frame.

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