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Pulpit by Andrea Cavalcanti, called il Buggiano, according to a drawing by Filippo Brunelleschi, located in the Church of Santa Maria Novella, Florence
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Pulpit by Andrea Cavalcanti, called il Buggiano, according to a drawing by Filippo Brunelleschi, located in the Church of Santa Maria Novella, Florence
Pulpit by Andrea Cavalcanti, called il Buggiano, according to a drawing by Filippo Brunelleschi, located in the Church of Santa Maria Novella, Florence Florence Church of Santa Maria Novella Pulpit Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1940 ca.. Date of Artwork:1397-1446 ca.. Artist:Brunelleschi, Filippo, Buggiano, Andrea di Lazzaro Cavalcanti, known as
Anderson
ADA-F-040345-0000
Media ID 33152536
© Alinari Archives, Florence
Acanthus Frieze Herbaceous Inscription Life And Representations Of The Virgin Life Of Christ Low Relief Presentation In The Temple Wingearly Renaissance Of A Group Subject
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EDITORS COMMENTS
This photograph captures the exquisite beauty of the Pulpit by Andrea Cavalcanti, known as il Buggiano, located in the Church of Santa Maria Novella in Florence. The pulpit is a remarkable work of art that showcases the artistic genius of Filippo Brunelleschi, whose drawing served as its inspiration. Dating back to around 1397-1446, this masterpiece represents a harmonious blend of Early Renaissance, Renaissance-Baroque styles and periods. Its intricate design and attention to detail reflect the rich cultural heritage of Europe during the first and second millenniums A. D. The photograph itself was taken circa 1940, offering us a glimpse into both past and present. It allows us to appreciate not only the timeless beauty of this artwork but also its historical significance. In this image, we see an inscription on one side along with various figures depicting scenes from biblical narratives such as angels and representations of Virgin Mary's life. One particular scene portrays her presentation in the temple while another depicts moments from Christ's life. The men depicted are dressed in period costumes that highlight their social status. Their portraits are captured in low relief sculpture within a frieze adorned with acanthus plants and other vegetation motifs. This print by Anderson from Alinari provides viewers with an opportunity to immerse themselves in early Renaissance artistry while marveling at its enduring appeal. It serves as a testament to human creativity throughout history and reminds us why Florence remains an epicenter for artistic expression even today.
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