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Monument to Pope Leo X, marble, Domenico Aimo said Bologna (c. 1460 1539), the Church of Santa Maria in Aracoeli, Rome
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Monument to Pope Leo X, marble, Domenico Aimo said Bologna (c. 1460 1539), the Church of Santa Maria in Aracoeli, Rome
Monument to Pope Leo X, marble, Domenico Aimo said Bologna (c. 1460 1539), the Church of Santa Maria in Aracoeli, Rome Rome Church of S. Maria in Aracoeli Sculpture Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1514. Artist:Aimo Domenico (born ca. 1460-1470, died 1539)
Anderson
ADA-F-003588-0000
Media ID 33142476
© Alinari Archives, Florence
Benediction Catholicism Clergy Pedestalrenaissance Pope Tiara Miter Christian Religion Headdress Civilian
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EDITORS COMMENTS
This photograph captures the exquisite beauty of the Monument to Pope Leo X, a marble sculpture created by Domenico Aimo in the early 16th century. The monument is located in the prestigious Church of Santa Maria in Aracoeli, nestled within the heart of Rome. Standing tall and proud, this remarkable artwork showcases the mastery of Renaissance and Renaissance-Baroque styles that were prevalent during its creation. Its intricate details and impeccable craftsmanship speak volumes about Aimo's talent as a sculptor. The photograph itself was taken around 1890, allowing us to glimpse into history and witness this magnificent piece of art as it stood over four centuries after its completion. It serves as a testament to both timelessness and endurance. Pope Leo X, depicted in his headdress with elements symbolizing civilian, military, religious power, commands attention at the center of this composition. His regal presence emanates authority while also conveying his deep connection to Christian religion and Catholicism. The scene captured here transports us back to an era when papal influence held great sway over Europe. It invites contemplation on how art has been used throughout history as not only a form of expression but also as a means for powerful figures such as popes to assert their dominance. Anderson's skillful photography allows us to appreciate every nuance of this extraordinary sculpture - from Pope Leo X's serene yet commanding gaze down to the meticulously carved pedestal beneath him. This print serves as both an homage to Aimo's artistic genius and a window into Rome's rich cultural heritage that continues to captivate audiences even today.
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