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Monument to Giovanni Francesco Brusati built by Luigi Capponi in the Church of S. Clemente, Rome
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Monument to Giovanni Francesco Brusati built by Luigi Capponi in the Church of S. Clemente, Rome
Monument to Giovanni Francesco Brusati built by Luigi Capponi in the Church of S. Clemente, Rome Rome San Clemente Funerary Monument Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1485. Artist:Capponi, Luigi
Anderson
ADA-F-006568-0000
Media ID 33147270
© Alinari Archives, Florence
Acanthus Coat Of Armsrenaissance Functions And Treatments For The Body Hand Herbaceous Pillow Rest Parts Of The Body
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EDITORS COMMENTS
This photograph captures the exquisite Monument to Giovanni Francesco Brusati, skillfully crafted by Luigi Capponi, within the sacred walls of the Church of S. Clemente in Rome. The image transports us back to the late 19th century, around 1890, when it was taken. The monument itself is a true testament to Renaissance artistry and showcases elements of both Renaissance and Baroque styles. It stands as a remarkable example of Europe's rich artistic heritage from the first and second millenniums A. D. , dating back even further to its creation in 1485. In this print by Anderson from Alinari, we see a male figure resting against an intricately designed pillow adorned with acanthus leaves – symbolizing rebirth and immortality. His body is partially nude, emphasizing his vulnerability as well as his connection to religious themes. The subject's clothing reflects fashion trends prevalent during the Renaissance period, adding another layer of historical significance to this artwork. His hand rests gently on his chest while holding what appears to be a writing instrument or quill - perhaps representing communication or written expression. Notably present are various physiological aspects such as facial features and musculature that reveal individuality amidst broader cultural influences. Additionally, psychological aspects can be inferred through contemplation upon this serene portrayal. A coat of arms can also be observed within the composition; serving as a reminder of familial ties or social status associated with Brusati himself. Through Anderson's lens, this photograph immortalizes not only Capponi's masterpiece but also offers us an opportunity for reflection on humanity's enduring fascination with art across centuries.
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