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Monument to Cardinal Pietro Bembo, Michele Sanmicheli (1484-1559), Basilica of Saint Anthony known as of the Saint, Padua
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Monument to Cardinal Pietro Bembo, Michele Sanmicheli (1484-1559), Basilica of Saint Anthony known as of the Saint, Padua
Monument to Cardinal Pietro Bembo, Michele Sanmicheli (1484-1559), Basilica of Saint Anthony known as of the Saint, Padua Padua Basilica of S. Antonio Funerary Monument Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1910 ca.. Date of Artwork:1543 ca.. Artist:Sanmicheli Michele (1484-1559)
Anderson
ADA-F-010459-0000
Media ID 33147410
© Alinari Archives, Florence
Brierlate Renaissance Festoon Inscription Vegetal Element Or Composition
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EDITORS COMMENTS
This print captures the grandeur of the Monument to Cardinal Pietro Bembo, a masterpiece created by the renowned artist Michele Sanmicheli. Located in the Basilica of Saint Anthony, also known as "of the Saint" in Padua, Italy, this monument stands as a testament to Late Renaissance and Renaissance-Baroque styles. The photograph was taken around 1910, showcasing this remarkable artwork that dates back to approximately 1543. Created by Sanmicheli Michele (1484-1559), it beautifully combines elements such as inscriptions, writings, instruments, festoons, and vegetal compositions. The intricate details of vegetation and brierlate renaissance add depth and elegance to this composition. As we gaze upon this image captured by Anderson from Alinari's collection, we are transported back in time to witness Europe's rich artistic heritage during the first and second millennium A. D. The fusion of different artistic periods is evident here – from Late Renaissance influences to Baroque stylings – creating a visual feast for art enthusiasts. The Monument to Cardinal Pietro Bembo not only showcases exceptional craftsmanship but also serves as a symbol of communication and intellectualism through its inscription and writing elements. It stands tall within the Basilica of Saint Anthony like a guardian preserving history while inviting visitors into its sacred space. This print offers us an opportunity to appreciate both the skillful workmanship of Sanmicheli Michele and the architectural beauty found within Padua's historic basilica. Let it serve as a reminder that art has no boundaries or limitations; it transcends time and connects us with our cultural pasts.
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