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Monument to Antonio Roselli, marble, Peter Lombard (1430-1515), the Basilica of Sant Antonio, Padua

Monument to Antonio Roselli, marble, Peter Lombard (1430-1515), the Basilica of Sant Antonio, Padua


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Monument to Antonio Roselli, marble, Peter Lombard (1430-1515), the Basilica of Sant Antonio, Padua

Monument to Antonio Roselli, marble, Peter Lombard (1430-1515), the Basilica of Sant Antonio, Padua Padua Basilica of St. Antonio Monumental Tomb Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1900 ca.. Date of Artwork:1464-1467. Artist:Lombardo, Pietro

Alinari, Fratelli
ACA-F-012238-0000

Media ID 33129627

© Alinari Archives, Florence

Festoonrenaissance Life And Representations Of The Virgin Literature And Fiction Madonna And Child Putto Subject Vegetal Element Or Composition


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Arts > Realistic drawings > Still life artwork > Portrait artwork

> Arts > Street art graffiti > Still life > Portrait paintings

> Baroque paintings

> Europe > Italy > Veneto > Padua

> Historic > Monuments and landmarks > Monuments and memorials

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art


EDITORS COMMENTS
This print showcases the magnificent Monument to Antonio Roselli, a marble masterpiece created by Peter Lombard in the Basilica of Sant'Antonio, Padua. The monument stands as a testament to both the skill of its artist and the rich history of Renaissance art. Dating back to approximately 1464-1467, this monumental tomb is an exemplary representation of Renaissance-Baroque styles and periods that flourished throughout Europe during the first and second millenniums A. D. Its intricate details and exquisite craftsmanship are truly awe-inspiring. The photograph itself was taken around 1900 by Alinari, Fratelli - a renowned name in capturing timeless artworks through their lens. It perfectly captures every aspect of Lombardo's creation, from the delicate figures depicting Madonna and Child to the abundance of vegetal elements adorning the composition. As you gaze upon this image, you can't help but be drawn into its narrative. The subject matter revolves around representations of the Virgin Mary with her child Jesus, surrounded by putti figures symbolizing innocence and purity. Each element tells a story deeply rooted in literature and fiction while evoking emotions within those who encounter it. With its male portrait-like features combined with festooned vegetation surrounding it, this artwork seamlessly blends biblical themes from the New Testament with quintessential Renaissance aesthetics. This print serves as a window into European history where art thrived under various stylistic influences. It reminds us that even after centuries have passed since its creation, masterpieces like these continue to captivate audiences worldwide – bridging gaps between different eras while leaving an indelible mark on our cultural heritage.

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Related Images


The tomb of Bishop Lorenzo Roverella, called Mausoleum Roverella, Ambrogio Barocci (active 1470-1517) and Antonio Rossellino (1427-1479), the cathedral of St. George the Martyr, Ferrara
The tomb of Bishop Lorenzo Roverella, called Mausoleum Roverella, Ambrogio Barocci (active 1470-1517) and Antonio Rossellino (1427-1479), the cathedral of St. George the Martyr, Ferrara

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