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The left side of the Great Synagogue of Florence or Tempio Maggiore

The left side of the Great Synagogue of Florence or Tempio Maggiore


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Alinari

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The left side of the Great Synagogue of Florence or Tempio Maggiore

The left side of the Great Synagogue of Florence or Tempio Maggiore Florence Synagogue Eclecticism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1874-1882. Artist:Micheli, Vincenzo (1830-1905), Falcini, Mariano, Treves Marco

Alinari, Fratelli
ACA-F-003197-0000

Media ID 33109009

© Alinari Archives, Florence

Cupola Dome Non Christian Scene Means Of Communication Side Street Lamp Three Light Window Two Light Window


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> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

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EDITORS COMMENTS
This print captures the left side of the magnificent Great Synagogue of Florence, also known as Tempio Maggiore. The image showcases the exquisite eclecticism that defined 19th-century European architecture, transporting us back to a bygone era. Taken around 1890, this photograph beautifully juxtaposes the timeless elegance of the synagogue with its surroundings. The street lamp stands tall, casting a warm glow on the urban landscape and emphasizing the grandeur of this religious structure. The attention to detail in both exterior design and interior furnishings is awe-inspiring. Every element tells a story - from the intricate writing and communication motifs adorning building elements to the meticulously crafted dome or cupola that crowns this sacred place. Created between 1874 and 1882 by artists Vincenzo Micheli, Mariano Falcini, and Marco Treves, this architectural masterpiece truly embodies religious devotion within its walls. Its significance goes beyond being just another building; it represents centuries of history and faith. As we gaze upon this remarkable scene through Alinari's lens, we are reminded of how means of communication have evolved over time. This synagogue served as a hub for spiritual gatherings during an era when non-Christian places of worship were not as prevalent. The two-light window on display adds an ethereal touch to our visual journey while symbolizing enlightenment and hope. Meanwhile, three-light windows offer glimpses into what lies beyond these hallowed halls – perhaps representing aspirations reaching far into future generations. Let us cherish this extraordinary artwork captured by Alinari Fratelli – a testament to human creativity and resilience throughout first and second millennia AD in Europe. May it inspire us to appreciate diverse cultures' contributions while fostering unity among all people regardless of their beliefs or backgrounds

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