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Judith and Holofernes, bronze, Donato di Niccolo di Betto Bardi said Donatello (1386-1466), Sala dei Gigli, Palazzo Vecchio, Florence
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Judith and Holofernes, bronze, Donato di Niccolo di Betto Bardi said Donatello (1386-1466), Sala dei Gigli, Palazzo Vecchio, Florence
Judith and Holofernes, bronze, Donato di Niccolo di Betto Bardi said Donatello (1386-1466), Sala dei Gigli, Palazzo Vecchio, Florence Florence Palazzo Vecchio, Sala dei Gigli Sculptural Group Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1445-1460 ca.. Artist:Donato di Niccol di Betto Bardi known as Donatello
Brogi
BGA-F-004721-0000
Media ID 33160751
© Alinari Archives, Florence
Aggressiveness Bible Old Testament Holofernes Human Psychology Judith People Pillow Pyschological Behavior Story Of Judith Swordearly Renaissance Women Subject
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EDITORS COMMENTS
This photograph captures the timeless beauty of Donatello's masterpiece, "Judith and Holofernes" a bronze sculpture housed in the Sala dei Gigli at Palazzo Vecchio in Florence. Taken around 1890 by Brogi from Alinari, this print transports us back to the early Renaissance period, where art flourished with its intricate details and profound symbolism. Donatello's genius is evident in his portrayal of Judith, a strong-willed woman who takes matters into her own hands to save her people. With an air of determination on her face, she holds Holofernes' head high as a symbol of victory over oppression. The contrast between their expressions reveals not only the physical struggle but also delves into deeper psychological aspects such as aggression and human psychology. The composition is meticulously crafted; every element has significance. From the delicately carved folds of Judith's dress to Holofernes' lifeless body lying on a pillow, each detail tells a story within itself. The sword that lies beside him serves as both an object used for violence and a tool for liberation. As we explore this artwork further, it becomes apparent that Donatello was not merely depicting historical events but also exploring universal themes relevant to all individuals across time. This sculpture embodies the spirit of the Renaissance era with its fusion of classical influences and innovative techniques. Through this photograph print, we are reminded of how art transcends time and space to evoke emotions within us today just as it did centuries ago. It invites us to ponder upon our own physiological and psychological aspects while contemplating biblical stories from the Old Testament. In conclusion, this remarkable image encapsulates Donatello's mastery while offering us glimpses into history through artistic expression – truly capturing Europe's rich cultural heritage during the first millennium AD until now in ways that words alone cannot convey.
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