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Fragments of frontal, work of Aosta by so-called Master of Villeneuve, working in the last ten years of the XIII century; located in the Civic Antique Art Museum of Turin
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Fragments of frontal, work of Aosta by so-called Master of Villeneuve, working in the last ten years of the XIII century; located in the Civic Antique Art Museum of Turin
Fragments of frontal, work of Aosta by so-called Master of Villeneuve, working in the last ten years of the XIII century; located in the Civic Antique Art Museum of Turin Turin Civic Antique Art Museum Relief, Altar Frontal Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920 - 1930 ca.. Date of Artwork:XIII sec.. Artist:Master of Villeneuve
Alinari, Fratelli
ACA-F-030449-0000
Media ID 33129866
© Alinari Archives, Florence
Clergygothic Coronation Life And Representations Of The Virgin Christian Religion Subject
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EDITORS COMMENTS
This print showcases the "Fragments of frontal, work of Aosta" by the renowned Master of Villeneuve, who was active during the last decade of the 13th century. Housed in the Civic Antique Art Museum of Turin, this remarkable piece is a testament to the exquisite craftsmanship and artistic prowess prevalent during the Gothic period. The relief altar frontal depicted in this photograph transports viewers back to medieval Europe, immersing them in an era characterized by its rich cultural heritage and religious devotion. The artwork itself dates back to the 13th century, offering a glimpse into a time when faith played a central role in people's lives. The subject matter explored within these fragments revolves around various aspects of Christian religion and iconography. From scenes depicting coronation ceremonies to representations of Virgin Mary's life, each fragment tells its own story through intricate details and masterful execution. As we delve deeper into this image, we encounter male figures adorned in saintly attire alongside other individuals embodying different roles within Christianity. This amalgamation creates a visual narrative that not only celebrates religious themes but also highlights societal structures prevalent during that era. Photographed between 1920-1930 by Alinari Fratelli, this print captures not just an artwork but also serves as a window into history itself. It allows us to appreciate both the skillful artistry employed by Master Villeneuve and provides insight into how religion shaped European society throughout centuries. With its profound historical significance and undeniable aesthetic appeal, this print stands as a testament to human creativity across time - bridging gaps between past and present for all those fortunate enough to behold it at Turin Civic Antique Art Museum.
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