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The expulsion of Herod. Detail of the marble inlaid work on the Cathedral's floor, in Siena
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
The expulsion of Herod. Detail of the marble inlaid work on the Cathedral's floor, in Siena
The expulsion of Herod. Detail of the marble inlaid work on the Cathedral's floor, in Siena. Siena Cathedral Tarsia, Marquetry Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca.. Date of Artwork:1517-1547
Brogi
BGA-F-013462-0000
Media ID 33168943
© Alinari Archives, Florence
Aggressiveness Herod Human Psychology Other Important Men Pyschological Behavior Soldier View Of The Cityrenaissance Subject
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The Expulsion of Herod - A Captivating Glimpse into Human Psychology and Renaissance Art
EDITORS COMMENTS
. This print captures a mesmerizing detail of the marble inlaid work on the floor of Siena Cathedral, showcasing "The Expulsion of Herod". The artwork itself, created between 1517 and 1547 during the Renaissance-Baroque period, depicts an intense scene from the Bible's New Testament. In this particular detail, we witness a moment filled with aggression and psychological tension. A soldier stands at the center, embodying both physical strength and emotional turmoil. His posture reveals his determination to carry out his duty while also hinting at inner conflict. Surrounding him are other important men who play their part in this dramatic narrative. Each person is meticulously carved into the marble floor, capturing their individuality as well as their physiological and psychological aspects. Their expressions range from fear to defiance, creating a rich tapestry of human emotions. Beyond its artistic value, this piece offers insights into various themes such as work and vocation. It explores how individuals respond when faced with challenging situations that demand action or decision-making. Moreover, this artwork provides us with a glimpse into Renaissance Europe's cultural landscape during the first and second millenniums AD. Its intricate marquetry technique showcases not only technical mastery but also highlights the fusion of Renaissance-Baroque styles prevalent during that era. As we delve deeper into this photograph by Brogi from Alinari taken around 1915-1920 ca. , it becomes apparent that it holds more than just aesthetic appeal; it invites contemplation on human nature itself – our capacity for aggressiveness juxtaposed against our complex psychological behavior within historical contexts like biblical narratives or even contemporary society.
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