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Entrance to a Brahmin's house, that according to the concept of Varna, the subdivision in a caste, is a member of the priestly class, the most prestigious of the four
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Entrance to a Brahmin's house, that according to the concept of Varna, the subdivision in a caste, is a member of the priestly class, the most prestigious of the four
Entrance to a Brahmin's house, that according to the concept of Varna, the subdivision in a caste, is a member of the priestly class, the most prestigious of the four India. Date of Photograph:1965
Quilici, Folco
QFA-S-091607-00ID
Media ID 33222792
© Folco Quilici Alinari Archives
Asiatic Populations Door Hinduism Indians Masculine Non Christian Religions Old Age Priest Tradional Tunic Ethnography And Folklore Population And Nationality
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This photograph captures the grand entrance to a Brahmin's house, showcasing the essence of India's caste system. The concept of "Varna" is depicted here, illustrating the subdivision within a caste where this particular house belongs to the priestly class - considered the most prestigious among the four varnas. Taken in 1965 by renowned photographer Folco Quilici, this image showcases not only architectural elements but also provides insight into Indian culture and tradition. The door itself stands tall and ornate, adorned with intricate carvings that reflect a rich history. It serves as a symbol of reverence and respect for those who enter or exit through it. The furnishings surrounding the entrance exude an aura of old-world charm. Each piece has been carefully selected to complement the overall aesthetic while maintaining functionality. From traditional furniture pieces to decorative accents, every element contributes to creating an atmosphere steeped in heritage. A male figure dressed in traditional attire stands proudly at the doorway, embodying both strength and wisdom associated with his role as a priest. His clothing reflects cultural norms and fashion trends prevalent during that era. Intriguing statues and sculptures can be seen adorning various corners of this sacred space, further emphasizing its significance within Hinduism. These artistic representations serve as reminders of devotion and spirituality for those who reside within these walls. Through Quilici's lens, we catch a glimpse into Indian society - its diverse population, customs, beliefs, and traditions all encapsulated within one frame. This photograph becomes more than just an image; it becomes a portal through which we can explore anthropological aspects such as nationality, individuality, physiological attributes intertwined with psychological nuances. As we delve deeper into this visual narrative captured by Alinari's print from Quilici's collection – we are transported back in time to witness not just architecture but also experience emotions evoked by its inhabitants' way of life.
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