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Deatil of the funerary monument of Leonardo Bruni in the church of Santa Croce in Florence. The photograph shows the upper part of the work with a tondo showing the Virgin and Child with two praying angels

Deatil of the funerary monument of Leonardo Bruni in the church of Santa Croce in Florence. The photograph shows the upper part of the work with a tondo showing the Virgin and Child with two praying angels


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Deatil of the funerary monument of Leonardo Bruni in the church of Santa Croce in Florence. The photograph shows the upper part of the work with a tondo showing the Virgin and Child with two praying angels

Deatil of the funerary monument of Leonardo Bruni in the church of Santa Croce in Florence. The photograph shows the upper part of the work with a tondo showing the Virgin and Child with two praying angels. Florence Funerary Monument Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca. Date of Artwork:1444 - 1445. Artist:Rossellino, Bernardo

Alinari, Fratelli
ACA-F-002103-0000

Media ID 33141657

© Alinari Archives, Florence

Animal Annunciation Brand Crest Festoon Frieze Funerary Inscription Life And Representations Of The Virgin Lion Literature And Fiction Madonna And Child Person And Social Status Political Figure Politician Putto Sepulchre Textile Abstract Concept And Symbol Applied Arts And Crafts Diplomatic Emblem Society And Politics Subject Type Of Representation Vegetal Element Or Composition


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> Arts > Artists > F > Fratelli Alinari Fratelli Alinari


EDITORS COMMENTS
This photograph captures a stunning detail of the funerary monument of Leonardo Bruni in the historic church of Santa Croce, located in Florence. The image showcases the upper part of the artwork, specifically focusing on a tondo depicting the Virgin and Child with two praying angels. Dating back to 1444-1445, this masterpiece was created by renowned artist Bernardo Rossellino during the Early Renaissance period. Its intricate design reflects a combination of Renaissance and Renaissance-Baroque styles, showcasing Europe's artistic evolution during that time. The photograph itself was taken around 1890 by Alinari, Fratelli - an esteemed photography company known for their exceptional documentation of historical artworks. Through their lens, we are granted a glimpse into this extraordinary piece that holds immense cultural and religious significance. As we delve deeper into this visual marvel, various elements come to life. A majestic lion stands as an allegorical representation while symbols such as inscriptions and writing instruments convey communication and knowledge. The presence of angels adds an ethereal touch to the composition while emphasizing its Christian undertones. Furthermore, vegetation motifs like festoons intertwine with crests and emblems, symbolizing growth and prosperity within society. This fusion between nature-inspired elements and political symbolism highlights how art served as a powerful tool for diplomacy during this era. Overall, this photograph not only preserves an exquisite work of sculpture but also offers us insight into the rich history surrounding it. It serves as a testament to both artistic mastery and societal values prevalent during early Renaissance times in Europe – truly capturing the essence of human creativity across centuries.

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