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Christ before Pilate, one of the bas-reliefs depicting the mysteries of the Passion, by Giambologna, in the Cappella della Madonna del Soccorso, Basilica of the Santissima Annunziata, Florence

Christ before Pilate, one of the bas-reliefs depicting the mysteries of the Passion, by Giambologna, in the Cappella della Madonna del Soccorso, Basilica of the Santissima Annunziata, Florence


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Christ before Pilate, one of the bas-reliefs depicting the mysteries of the Passion, by Giambologna, in the Cappella della Madonna del Soccorso, Basilica of the Santissima Annunziata, Florence

Christ before Pilate, one of the bas-reliefs depicting the mysteries of the Passion, by Giambologna, in the Cappella della Madonna del Soccorso, Basilica of the Santissima Annunziata, Florence Florence Basilica of the Santissima Annunziata, Cappella della Madonna del Soccorso Low Relief, Basrelief Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1550-1608 ca.. Artist:Giambologna, Jean de Boulogne, known as

Alinari, Fratelli
ACA-F-002034-0000

Media ID 33107989

© Alinari Archives, Florence

Jesus Christ Christ Child Life Of Christ Other Important Men Passion Pilate Soldier Thronelate Renaissance Subject


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EDITORS COMMENTS
This photograph captures a moment of intense drama and emotion in the Cappella della Madonna del Soccorso, located within the magnificent Basilica of the Santissima Annunziata in Florence. The focal point is Giambologna's exquisite bas-relief titled "Christ before Pilate" which forms part of a series depicting the mysteries of the Passion. Created during the Late Renaissance period, between 1550 and 1608, this bas-relief showcases Giambologna's exceptional skill in capturing intricate details and conveying powerful emotions. The scene depicts Christ standing before Pontius Pilate, one of history's most significant figures. Dressed in ancient attire that reflects both biblical times and Renaissance fashion, these two central characters are surrounded by other important men who play crucial roles in this pivotal event. The composition exudes an aura of tension as Christ faces his fate with unwavering resolve while Pilate deliberates over his decision. This artwork serves as a visual representation of an essential episode from the New Testament: Jesus Christ being brought before Pilate to be judged. The photograph itself was taken around 1890 by Alinari Fratelli, showcasing their mastery in capturing historical artworks with precision and clarity. Through their lens, we can appreciate every delicate detail carved into this low relief sculpture. With its fusion of late Renaissance and Renaissance-Baroque styles, this masterpiece stands as a testament to Giambologna's artistic genius. Its presence within such a grand basilica further emphasizes its significance within religious iconography. As we gaze upon this remarkable print today, it allows us to connect with centuries past – bridging time through art – reminding us not only of our shared human history but also inviting contemplation on themes such as faith, sacrifice, power dynamics, and divine intervention.

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