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The Basilica of Saint Lawrence outside the Walls (also known as San Lorenzo al Verano), Rome

The Basilica of Saint Lawrence outside the Walls (also known as San Lorenzo al Verano), Rome


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The Basilica of Saint Lawrence outside the Walls (also known as San Lorenzo al Verano), Rome

The Basilica of Saint Lawrence outside the Walls (also known as San Lorenzo al Verano), Rome Rome Cloister Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1929. Date of Artwork:XIII sec

Anderson
ADA-F-028870-0000

Media ID 33148480

© Alinari Archives, Florence

Christianromanesque Cloister Fountain Hydraulic


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> Architecture > Religious

> Architecture > Styles > Romanesque Architecture

> Europe > Italy > Lazio > Rome

> Europe > United Kingdom > Scotland > Highlands > Alness

> Religious Art > Religious Architecture


EDITORS COMMENTS
This print showcases the grandeur of The Basilica of Saint Lawrence outside the Walls, also known as San Lorenzo al Verano, in Rome. Taken in 1929, it transports us back to the XIII century when this magnificent Romanesque structure stood tall. The photograph captures every intricate detail of the basilica's architecture, from its arches and building elements to its decorative sections. The column featured in the image stands as a testament to the enduring beauty of Romanesque design. As we gaze upon this snapshot from history, we are reminded of Europe's rich cultural heritage during the Middle Ages. The focal point of this composition is undoubtedly the cloister with its timeless charm. Its serene atmosphere invites contemplation and reflection. One can almost hear echoes from centuries past reverberating through these ancient walls. A fountain nestled within this architectural marvel adds an element of tranquility to the scene. Its hydraulic system symbolizes both practicality and spirituality—a reminder that even amidst religious devotion, life's basic needs must be met. As we admire this artwork by Anderson from Alinari, our minds wander back through time—back to a period when faith was at once personal and communal; when structures like these served not only as places for worship but also as centers for community gatherings. Let us appreciate this print not just for its aesthetic value but also for what it represents: a glimpse into a bygone era where artistry merged seamlessly with spirituality. It serves as a reminder that even today, amid rapid progress and change, there is still much wisdom to be gained from looking back at our roots in order to move forward with purpose.

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