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The Orangerie or the Dutch Cupid reposing after the fatigues of Planting, Gillray
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The Orangerie or the Dutch Cupid reposing after the fatigues of Planting, Gillray
The Orangerie or the Dutch Cupid reposing after the fatigues of Planting, Gillray, James, 1756-1815, engraver, London, engraving 1796, William V, Prince of Orange, as a fat, naked Cupid, reclining on a platform of grass and flowers and leaning on a bag of money marked 24, 000, 000 ducats. In the foreground are a number of orange plants with each orange bearing the likeness of the prince. In the background, as if in a dream, are many heavily pregnant women: a milkmaid, a fishmonger, a house maid, and many farm women
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12956709
© Quint Lox Limited
1756 1796 1815 Background Bearing Cupid Dream Engraver Farm Fishmonger Foreground Gillray Grass Heavily James Leaning Likeness Maid Marked Milkmaid Money Naked Nostalgia Nostalgic Number Old Fashioned Orange Planting Plants Platform Pregnant Prince Reclining Traditional William Women Fatigues Orangerie Reposing
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This vintage print titled "The Orangerie or the Dutch Cupid reposing after the fatigues of Planting" by James Gillray captures a whimsical scene filled with symbolism and satire. In this engraving from 1796, we see William V, Prince of Orange depicted as a plump and naked Cupid, reclining on a lush platform adorned with grass and flowers. He leans casually on a bag of money marked with an astonishing sum of 24,000,000 ducats. In the foreground, orange plants flourish, each bearing the likeness of the prince himself. This playful representation suggests his excessive wealth and indulgence in luxury. However, it is in the background where Gillray's imagination truly takes flight. We witness numerous heavily pregnant women - including a milkmaid, fishmonger, house maid, and farm women - seemingly appearing in a dreamlike state. Their presence adds to the satirical nature of this artwork as they symbolize fertility and abundance associated with prosperity. This engraved image showcases Gillray's exceptional illustrative technique that was popular during Victorian times. It offers us a glimpse into history through its old-fashioned charm while also evoking nostalgia for days gone by. "The Orangerie or the Dutch Cupid reposing after the fatigues of Planting" is not just an artwork; it is an intriguing piece that invites contemplation about societal values surrounding wealth and excessiveness during its time period.
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