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Mouse Mat : The Invasion (Plate 1)

The Invasion (Plate 1)




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The Invasion (Plate 1)

The Invasion - France : a satirical view of the feared invasion by Catholic France, depicting incompetent soldiers roasting frogs legs and being led by a sadistic monk

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 601911

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10138893

1756 Anti Depicting Feared Frogs Hogarth Incompetent Invasion Legs Monk Roasting Satirical Sadistic


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This historical print titled "The Invasion (Plate 1)" offers a satirical view of the feared invasion by Catholic France in 1756. The scene depicts incompetent soldiers roasting frogs legs, led by a sadistic monk. The artist Hogarth captures the absurdity and incompetence of the invading forces, highlighting their lack of preparedness and misguided leadership. The image serves as a commentary on the anti-French sentiment prevalent at the time, portraying the French soldiers as bumbling fools under the control of a cruel and sinister figure. Through humor and exaggeration, Hogarth exposes the folly of war and nationalism, reminding viewers of the absurdity that often accompanies conflict. The detailed composition invites viewers to explore every corner of the scene, from the comical expressions on the soldiers' faces to the menacing presence of the monk overseeing their actions. Each element adds to the overall narrative, creating a rich tapestry of satire and social commentary. As we reflect on this piece from Mary Evans Picture Library, we are reminded of how art can serve as a powerful tool for critiquing society and challenging prevailing beliefs. "The Invasion (Plate 1)" is not just a historical artifact but a timeless reminder of humanity's capacity for folly and cruelty in times of conflict.

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