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Canvas Print : The Deformito-Mania
Canvas Prints from Mary Evans Picture Library
The Deformito-Mania
Satirical cartoon on what Punch calls the " taste for the Monstrous" by the general public, encouraged particularly by the exhibits at the Egyptian Hall in Piccadilly, London whose walls are placarded with bills announcing the display of deformities and ugliness
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Media ID 4419727
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10252320
1847 Deformities Deformity Exhibitions Exhibits Freak Mania Monstrous Punch Satire Satirical Taste Ugliness
12"x9" (30x23cm) Canvas Print
"Step into the captivating world of history with our Media Storehouse Canvas Prints featuring "The Deformito-Mania" by Rights Managed from Mary Evans Prints Online. This satirical cartoon, published in Punch magazine in 1880, offers a witty commentary on the public's fascination with the macabre and the monstrous, as encouraged by the exhibits at the Egyptian Hall in Piccadilly. Each print is expertly crafted on high-quality canvas, ensuring vibrant colors and stunning detail that bring history to life in your home or office. Add a touch of whimsy and intrigue to your space with this unique and thought-provoking piece from the Media Storehouse collection."
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 30.5cm x 22.9cm (12" x 9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Deformito-Mania - A Satirical Take on the Public's Appetite for the Monstrous during Victorian Times This satirical cartoon, titled
EDITORS COMMENTS
The Deformito-Mania," published in Punch magazine in 1847, offers a scathing commentary on the general public's fascination with human deformities and ugliness, a trend that was particularly encouraged by the exhibitions at the Egyptian Hall in Piccadilly, London. The walls of the hall are placarded with bills announcing the display of "deformities and ugliness," attracting large crowds who paid to view the unusual and the grotesque. The cartoon depicts a crowd of people, mostly men, gathered around a small stage where a man with a deformity is displayed. The man, wearing a sign that reads "Deformito," looks dejected and ashamed as he is gawked at by the audience. The caption reads, "The Taste for the Monstrous," highlighting the distasteful nature of this form of entertainment. The cartoonist uses exaggerated caricatures and grotesque imagery to criticize the public's morbid curiosity and their willingness to pay to see human beings who were different from the norm. The satire also touches upon the exploitative nature of these exhibitions, with the Egyptian Hall profiting from the suffering and humiliation of the individuals on display. The Deformito-Mania cartoon is a poignant reminder of a time when the display of human deformities and ugliness was considered entertainment, and serves as a reminder of the importance of empathy, compassion, and respect for all individuals, regardless of their physical appearance." This image is a historical record of a time when the display of human deformities was considered entertainment, and serves as a reminder of the importance of empathy, compassion, and respect for all individuals, regardless of their physical appearance. The cartoon is a valuable addition to any collection of Victorian-era social commentary or disability history.
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