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1830 dance of death, drink and obesity

1830 dance of death, drink and obesity


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1830 dance of death, drink and obesity

1830 Dance of Death (after Holbein), a 19th century contemporary coloured lithograph engraving showing a drinking dandy death leading away an obese landlord. By Franz Wentzel at Wissembourg

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 6345643

© PAUL D STEWART/SCIENCE PHOTO LIBRARY

Colour Death Drink Engraving Obesity Dance Of Death Holbein


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EDITORS COMMENTS
This 19th-century print, titled "1830 Dance of Death, Drink and Obesity" is a mesmerizing piece of art that delves into the themes of mortality, indulgence, and societal vices. Created by Franz Wentzel at Wissembourg, this contemporary colored lithograph engraving draws inspiration from Holbein's iconic Dance of Death series. In this particular scene, we witness a haunting encounter between two contrasting figures: a dandy death figure and an obese landlord. The dandy death personifies the allure of excessive drinking while leading the overweight landlord away from his earthly existence. The artist skillfully captures the essence of morbidity through intricate details and vivid colors. The significance behind this artwork lies in its commentary on human behavior and society's relationship with drink and gluttony during the 19th century. It serves as a reminder that our choices have consequences, ultimately leading us towards our inevitable demise. Through its powerful imagery and thought-provoking symbolism, this engraving forces viewers to confront their own mortality while reflecting on the dangers associated with overindulgence. It serves as both a cautionary tale against excesses that can lead to obesity-related health issues and an artistic exploration into our complex relationship with life's pleasures. Paul D. Stewart has masterfully captured not only the technical brilliance but also the profound meaning embedded within this historical artwork—a testament to his deep understanding of art history and his ability to evoke emotions through visual storytelling.

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