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Entrance hall of Carclew House, Mylor, Cornwall. 15th March 1912
Wall Art and Photo Gifts from Royal Cornwall Museum
Entrance hall of Carclew House, Mylor, Cornwall. 15th March 1912
The entrance hall at Carclew House. Originally owned by the Bonython family, the house and estate were purchased by William Lemon (1696-1760) in 1749 who employed the architect Thomas Edwards to enlarge and modernise the house in the style of Palladios Villa Ragona. The house was further extended by Sir William Lemon (1748-1824) in the early 19th century by architect William Wood. It was destroyed by fire in 1934 but one wing was restored in the late 1930s to house refugees. There are a few ruins preserved. Photographer: Arthur William Jordan
Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture
TRURI : MYLcc.11
Media ID 18990582
© From the collection of the RIC
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EDITORS COMMENTS
This print captures the grandeur and elegance of the entrance hall at Carclew House in Mylor, Cornwall. Originally owned by the prestigious Bonython family, this magnificent house and estate underwent significant transformations over the years. In 1749, William Lemon acquired Carclew House and enlisted architect Thomas Edwards to expand and modernize it in the style of Palladio's Villa Ragona. The result was a stunning architectural masterpiece that seamlessly blended classical elements with contemporary design. During the early 19th century, Sir William Lemon commissioned architect William Wood to further extend the house, adding even more splendor to its already impressive structure. However, tragedy struck in 1934 when a devastating fire destroyed most of Carclew House. Fortunately, one wing was restored in the late 1930s to provide shelter for refugees during tumultuous times. Today, only a few ruins remain as testament to Carclew House's former glory. This photograph by Arthur William Jordan allows us to glimpse into its opulent past - showcasing intricate furnishings and exquisite details that once adorned this historic Cornish residence. As we admire this image, we are transported back in time - imagining distinguished guests entering through these very doors and being greeted by an atmosphere of sophistication and refinement. It serves as a poignant reminder of lost architectural treasures that continue to fascinate us with their stories from centuries gone by.
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