Jigsaw Puzzle : Rc Satire Trappings 1520
Jigsaw Puzzles from Mary Evans Picture Library
Rc Satire Trappings 1520
False devotion : satire on the trappings of religion which are seen as more important than true religious feeling
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Media ID 571575
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10003944
1520 Catholicism Devotion False Feeling Important Satire Satirical Trappings True
Jigsaw Puzzle (252 Pieces)
Introducing the captivating "RC Satire Trappings 1520" jigsaw puzzle from Media Storehouse, in collaboration with Mary Evans Picture Library from Mary Evans Prints Online. This intriguing puzzle piece together a satirical masterpiece by an unknown artist, depicting the false devotion and the focus on material trappings within religion. Delve into the rich history and thought-provoking commentary of this 16th-century artwork as you piece together the complex imagery. Engage your mind and challenge your problem-solving skills with this intriguing jigsaw puzzle, perfect for those seeking a thought-provoking pastime.
Made in the USA, 252-piece puzzles measure 11" x 14" (27.9 x 35.5 cm). Every puzzle is meticulously printed on glossy photo paper, which has a strong 1.33 mm thickness. Delivered in a black storage cardboard box, these puzzles are both stylish and practical. (Note: puzzles contain small parts and are not suitable for children under 3 years of age.)
Jigsaw Puzzles are an ideal gift for any occasion
Estimated Product Size is 35.6cm x 28cm (14" x 11")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This thought-provoking image, titled "Rc Satire Trappings 1520: False Devotion - A Satire on the Trappings of Religion which are seen as more important than True Religious Feeling," offers a poignant commentary on the excesses and superficiality of religious practices during the 16th century. The print, created circa 1520, is a powerful satire of the Catholic Church, specifically targeting the materialistic and superstitious aspects of religious observance that had become prevalent during this period. The image depicts a monk, dressed in extravagant robes and adorned with various religious symbols, standing before an altar. Instead of focusing on his devotional practices or communing with his God, however, he is intently gazing at a mirror, admiring his own reflection. The mirror, a symbol of vanity and self-absorption, underscores the monk's misplaced priorities. Surrounding the monk are various trappings of religion - ornate crucifixes, candles, and religious icons. These material objects, which were meant to represent the sacred, have become the focus of the monk's attention, rather than the true spiritual connection with his faith. The artist's use of stark contrasts between the monk's somber robes and the bright, gaudy decorations in the background further emphasizes the disconnect between the external trappings of religion and the inner spirituality that should be at its core. This satirical print serves as a reminder of the dangers of false devotion and the importance of maintaining a genuine connection with one's faith. It offers a fascinating glimpse into the historical context of 16th-century Catholicism and the societal critique that emerged during this period.
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