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Photo Mug : Pit, Boxes and Gallery
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Pit, Boxes and Gallery
PIT, BOXES AND GALLERY in a London theatre (Cruikshank has drawn himself second from left in the centre box)
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 604821
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10051164
1836 Boxes Cruikshank Drawn Gallery
Photo Mug (11 oz)
Introducing the Media Storehouse Photo Mug, a perfect blend of art and functionality. Featuring an exquisite image from Mary Evans Picture Library, this mug showcases "Pit, Boxes and Gallery" by Cruikshank. Witness the captivating scene of a London theatre, with Cruikshank himself depicted in the center box. Bring a touch of history and culture into your daily routine as you enjoy your favorite beverage from this beautifully designed mug. The high-quality print ensures the vibrant colors and intricate details of the image are preserved for your viewing pleasure. Make each sip a moment to savor with the Media Storehouse Photo Mug.
A personalized photo mug blends sentimentality with functionality, making an ideal gift for cherished loved ones, close friends, or valued colleagues. Preview may show both sides of the same mug.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Mug Size is 8cm high x 9.5cm diameter (3.1" x 3.7")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This print, titled "Pit, Boxes and Gallery" by the renowned English satirical artist, George Cruikshank, offers a humorous and historical glimpse into the social hierarchy of a London theatre in the 1830s. The image, published in 1836, depicts Cruikshank himself, drawn second from the left in the centre box, surrounded by an eclectic mix of theatre-goers in various stages of amusement, disdain, and outright chaos. The central focus of the print is the theatre pit, a standing area where the working class and the less affluent members of the audience would gather. The pit-dwellers are shown jostling for position, their faces expressing a range of emotions from rapt attention to boisterous laughter. In stark contrast, the patrons in the boxes, including Cruikshank, are seated in comfortable seclusion, their elevated vantage point allowing them to enjoy the performance in relative peace and comfort. The gallery, the uppermost tier of the theatre, is populated by a motley crew of characters, from the elderly gentleman with a monocle to the young woman with a fan, all gazing down upon the scene below with varying degrees of interest and amusement. Cruikshank's masterful use of satire and caricature brings the diverse and vibrant world of the theatre to life, offering a fascinating window into the social dynamics of 19th century London. This print, with its rich historical and cultural significance, is a must-have for any collection focused on the history of theatre or the social history of London. Its intricate details and vivid colors make it a visual treat, while its insightful commentary on class and social hierarchy adds depth and context to the image. A true masterpiece from the annals of English satirical art, "Pit, Boxes and Gallery" is a must-see for anyone interested in the history of theatre or the social fabric of 19th century London.
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