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Meyerbeer / Prophete / L

Meyerbeer  /  Prophete  /  L


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Meyerbeer / Prophete / L

Act four : Jean of Leyden is about to be crowned when his mother recognises him : he tricks her into retracting her recognition

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Media ID 612973

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10109301

1849 Crowned Leyden Meyerbeer Opera Performed Recognises Recognition Tricks Prophete


EDITORS COMMENTS
Meyerbeer's 'The Prophet' or 'Jean of Leyden' (Act Four): A Moment of Recognition and Deception This opera print from the 19th century depicts a pivotal moment in Act Four of Giacomo Meyerbeer's 'The Prophet,' also known as 'Jean of Leyden.' In this historical opera, the protagonist, Jean, disguises himself as a prophet to lead the Anabaptist rebellion in the city of Munster. His mother, Katharina, is among the crowd gathered to witness his supposed coronation. As Jean of Leyden is about to be crowned, his mother, unaware of his true identity, extends her arms in recognition. The emotion etched on her face is a poignant blend of pride and relief, as she finally accepts her son's new role as their spiritual leader. However, the moment is short-lived. Just as Jean embraces his mother, he suddenly reveals his true identity, shocking her and the crowd. With a swift and cunning move, he tricks her into retracting her recognition, ensuring his secret remains hidden. The deception is a testament to Jean's charisma and manipulative abilities, as well as his determination to maintain his position as the prophet. This print captures the intrigue and drama of Meyerbeer's opera, which was first performed in Paris in 1849. The historical context of the Anabaptist movement in the 16th century adds depth to the story, making it a fascinating exploration of power, deception, and family dynamics. The moment of recognition and its subsequent retraction is a testament to the complexities of human relationships and the lengths people will go to protect their secrets.

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